The Hermit and the Wild Woman, and Other StoriesWharton, Edith
General
The Hermit and the Wild Woman, and Other Stories
Wharton, Edith
Short stories, American
"That's my trouble, and I know it. Big sums frighten me--I can't look
them in the face. By George, I wish Ned had the carrying out of this
scheme--I wish he could spend my money for me!" His face was lit by the
reflection of a passing thought. "Do you know, I shouldn't wonder if I
dropped out of the running before either of you chaps, and in case I do
I've half a mind to leave everything in trust to Halidon, and let him
put the job through for me."
"Much better have your own fun with it," I retorted; but he shook his
head, saying with a sigh as he turned away: "It's _not_ fun to
me--that's the worst of it."
Halidon, to whom I could not help repeating our talk, was amused and
touched by his friend's thought.
"Heaven knows what will become of the scheme, if Paul doesn't live to
carry it out. There are a lot of hungry Ambrose cousins who will make
one gulp of his money, and never give a dollar to the work. Jove, it
_would_ be a fine thing to have the carrying out of such a plan--but
he'll do it yet, you'll see he'll do it yet!" cried Ned, his old faith
in his friend flaming up again through the wet blanket of fact.
II
PAUL AMBROSE did not die and leave his fortune to Halidon, but the
following summer he did something far more unexpected. He went abroad
again, and came back married. Now our busy fancy had never seen Paul
married. Even Ned recognized the vague unlikelihood of such a
metamorphosis.
"He'd stick at the parson's fee--not to mention the best man's
scarf-pin. And I should hate," Ned added sentimentally, "to see 'the
touch of a woman's hand' desecrate the sublime ugliness of the
ancestral home. Think of such a house made 'cozy'!"
But when the news came he would own neither to surprise nor to
disappointment.
"Goodbye, poor Academy!" I exclaimed, tossing over the bridegroom's
eight-page rhapsody to Halidon, who had received its duplicate by the
same post.
"Now, why the deuce do you say that?" he growled. "I never saw such a
beast as you are for imputing mean motives."
To defend myself from this accusation I put out my hand and recovered
Paul's letter.
"Here: listen to this. 'Studying art in Paris when I met her--"the
vision and the faculty divine, but lacking the accomplishment," etc....
A little ethereal profile, like one of Piero della Francesca's angels
... not rich, thank heaven, _but not afraid of money_, and already
enamored of my project for fertilizing my sterile millions...'"
"Well, why the deuce--?" Ned began again, as though I had convicted
myself out of my friend's mouth; and I could only grumble obscurely:
"It's all too pat."
He brushed aside my misgivings. "Thank heaven, she can't paint, anyhow.
And now that I think of it, Paul's just the kind of chap who ought
to have a dozen children."
"Ah, then indeed: goodbye, poor Academy!" I croaked.
Public-domain text, read in full here on John Shaqi.
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