Give heed, enthusiasts, unto the heart!
For mine condemns me to a life apart,
Bound by unmerciful and cruel ties,
He dwells with joy, there where he faints and dies.
At every hour I call him back by thoughts:
A rebel he, like gerfalcon insane,
He feels no more the hand that did restrain,
And is gone forth not to return again.
Thou beauteous beast that dost in punishment
Knit up the soul, spirit and heart content'st
With pricks, with lightnings, and with chains!
From looks, from accents, and from usages,
Which faint and burn and keep thee bound,
Where shall he that heals, that cools, and loosens thee be found?
Here the soul, sorrowful, not from real discontent, but on account of
pains which she suffers, directs the discourse to those who are affected
by passions similar to her own: as if she had not of her own free will
and of her own desire dismissed her heart, which goes running whither it
cannot arrive, stretches out to that which it cannot reach, and tries to
enfold that which it cannot comprehend, and with this, because he vainly
separates from her, ever more and more goes on aspiring towards the
infinite.
CIC. Whence comes it, oh Tansillo, that the soul in such progression
delights in its own torments? Whence comes that spur which urges it ever
beyond that which it possesses?
TANS. From this, which I will tell thee now. The intellect being
developed to the comprehension of a certain definite and specific form,
and the will to a love commensurate with such comprehension; the
intellect does not stop there, but by its own light it is prompted to
think of this: that it contains within itself the germ of everything
intelligible and desirable, until it comes to comprehend with the
intellect the depth of the fountain of ideas, the ocean of every truth
and goodness. So that it happens, that whatever conception is presented
to the mind, and becomes understood by it, from that which is so
presented and comprehended it judges, that above it, is other greater
and greater, and finds itself ever in a certain way discoursing and
moving with it. Because it sees that all which it possesses is only a
limited thing, and therefore cannot be sufficient of itself, nor good of
itself, nor beautiful of itself; because it is not the universal nor the
absolute entity; but contracted into being this nature, this species,
this form, represented to the intellect and present to the soul. Then
from the beautiful that is understood, and consequently limited, and
therefore beautiful through participation, it progresses towards that
which is really beautiful, which has no margin, nor any boundaries.
CIC. This progression appears to me useless.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account