After this piece came another, full of bannered processions, gilded
pillars, paper snows, and living horses, that were really far better
actors than the men who rode them. It concluded with a grand battle, in
which twenty men on horseback, and twenty on foot, beat each other
indiscriminately, and with the utmost good humour. Armour clashed,
sabres struck fire, a castle was burnt to the ground, horses fell dead,
the audience rose shouting and clapping, and a man just below me in the
pit, cried out in an ecstasy, 'I made their saddles! I made their
saddles!'
As to Montmorenci's performance, nothing could equal it; for though his
character was the meanest in the piece, he contrived to make it the
most prominent. He had an emphasis for every word, an attitude for
every emphasis, and a look for every attitude. The people, indeed,
hissed him repeatedly, because they knew not, as I did, that his acting
a broken soldier in the style of a dethroned monarch, proceeded from
his native nobility of soul, not his want of talent.
After the performance, we were pressing through the crowd in the lobby,
when I saw, as I thought, Stuart (Bob Stuart!), at a short distance
from me, looking anxiously about him. On nearer inspection, I found I
was right, and it occurred to me, that I might extract a most
interesting scene from him, besides laying a foundation for future
incident. I therefore separated myself (like Evelina at the Opera) from
my party, and contrived to cross his path. At first he did not
recognize me, but I continued by his side till he did.
'Miss Wilkinson!' exclaimed he, 'how rejoiced I am to see you! Where is
your father?'
'Let us leave this place,' said I, 'they are searching for me, I know
they are.'
'Who?' said he.
'Hush!' whispered I. 'Conduct me in silence from the theatre.'
He put my hand under his arm, and hurried me away. When we had gained
the street:
'You may perceive by my lameness,' said he, 'that I am not yet well of
the wound I received the night I met you on the Common. But I could not
refrain from accompanying your father to Town, in search of you; and as
I heard nothing of him since he went to your lodgings yesterday, I
called there myself this evening, and was told that you had gone to the
theatre. They could give me no information about your father, but of
course, you have seen him since he came to Town.'
'I have not, I assure you,' said I, an evasive, yet conscientious
answer, because Wilkinson is not my real father.
'That is most extraordinary,' cried he, 'for he left the hotel
yesterday, to call on you. But tell me candidly, Miss Wilkinson, what
tempted you to leave home? How are you situated at present? with whom?
and what is your object?'
'Alas!' said I, 'a horrible mystery hangs over me, which I dare not now
develop. It is enough, that in flying from one misfortune, I have
plunged into a thousand others, that peace has fled from my heart, and
that I am RUINED.'
'Ruined!' exclaimed he, with a look of horror.
Public-domain text, read in full here on John Shaqi.
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