He stood now coatless, eyes protected by a green shade, attention fixed
upon his drafting-table. He had not heard the stopping of a motor-car, nor
was his concentration interrupted by the unceremonious opening of the
door.
"What's the use pretending you don't know I'm here?" said Hildegarde.
Potter turned abruptly and found himself without words. He was not content
to extend one hand, but must stretch out both, ink-stained though they
were, and she took them boyishly.
"I just got home this morning," she said. "Dad said I couldn't come and
wouldn't send me any money, so I got a man to pawn some things and ran
away. I don't think the man gave me all the money he got--_quite_. Dad was
furious. He almost _busted_. As soon as he'd shouted himself into a state
of collapse and rushed out of the house I called your house on the
telephone. They said you were here, so I got in my car and came--and
aren't you going to say _anything_?"
"It's you," his lips said, stupidly enough, but his eyes must have been
more eloquent, for Hildegarde said, with satisfaction, "You _are_ glad to
see me."
He was thinking to himself that his memory was inefficient, for it had not
retained so many of the delights of her reality; it had forgotten the way
her little ears cuddled into her unruly hair; it had forgotten that
daring, challenging glint in her blue eyes; he had forgotten something of
that determined line of her brows--a determined line which did not give an
expression of severity. He had recalled her general appearance as one of
some pertness; it was not pertness, he saw, but keenness. She had seemed a
little girl--a rather naughty, wilful, impertinent little girl; that
seeming of youth was there, but it was no longer the youth of the little
girl with whom one _plays_ house--it was the youth of the girl on the
point of womanhood with whom one would desire to _keep_ house. She had
been alluring, intriguing, as he remembered her; in reality she was
enchanting, compelling, startling. She excited the imagination, not
physically, but adventurously. Potter had once compared her to a dancing
flame; he approved that comparison. The inevitable conclusion to be drawn
from studying Hildegarde was that life in her vicinity would be far from
uneventful. She was full of dynamic promise.
"I _am_ glad to see you," he said, letting her hands go with reluctance.
"I've been thinking about you."
"How nice! I've been thinking about you--wondering how you came out of it
... if your nose was flattened or one leg shorter than the other. Why, you
don't look as if you had been smashed all to pieces." She laughed gaily.
"I'll try to limp," he suggested, "if it will please you."
She drew her shoulders together and became serious. "I was afraid," she
said. "I couldn't bear to think you--were not the way you used to be. If
you had been crippled--and it was my fault! That's why I came so quickly.
I wanted to know. You see, I didn't know anything--except that you were
alive."
Public-domain text, read in full here on John Shaqi.
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