The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
The two smaller drones produce a note in unison with the lowest A of the
chanter, and the larger an octave lower. The indescribable thrill which
the bagpipe is capable of imparting is produced by a sudden movement of
the fingers on certain notes, which gives an expression peculiar to the
pipes, and distinguishes the pibroch from all other music. The drones,
as has been said, are tuned by means of “sliders” or movable joints, and
this tuning, or preparation for playing, which generally occupies a few
minutes of the piper’s time before he begins the tune proper, is heard
with impatience by those not accustomed to the instrument. It gave rise
to the saying, applied to those who waste time over small matters, “You
are longer in tuning your pipes than playing your tune.” It cannot,
however, be helped so long as this instrument remains exactly as it is.
The piper’s warm breath goes almost directly on to the reeds, and the
consequence is that no sooner does he get his pipes in tune than he
starts to put them out of tune—by blowing into them. What is needed is
some contrivance that will prevent this, by cooling the air before it
reaches the chanter. There are several contrivances in use among leading
players, each generally the invention of the man who uses it, but none
has come into general favour. Highlanders are a conservative race, and
they are not willing to make any changes on their much-loved instrument.
It would, however, be well if they would take this matter into
consideration, and do something to render unnecessary that preparatory
tuning which many people find so unpleasant—that is if it is possible to
prevent the reeds getting wet while wet breath is blown into the
instrument. The bellows of course gets over the difficulty, but we
hardly wish to see a bellows attached to the Highland Bagpipe. It would
not then be Highland.
The Highland bagpipe is louder and more shrill than any other, probably
because it was all along intended for use as an instrument of war, and
pipe music is known to have been heard at a distance of six miles, and,
under specially favourable circumstances, of ten miles. The Duke of
Sutherland has a bagpipe which was played on in the ’45, and could be
heard at a distance of eight miles.
Public-domain text, read in full here on John Shaqi.
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