The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
Very late that night Espinosa was roused from his sleep to find his
room invaded by alguaziles—the police of the Alcalde. He was arrested
and dragged before Don Rodrigo to give an account of himself and of
certain objects of value found in his possession—more particularly of a
ring, on the cameo of which was carved a portrait of King Philip.
“I am Gabriel de Espinosa,” he answered firmly, “a pastry-cook of
Madrigal.”
“Then how come you by these jewels?”
“They were given me by Dona Ana of Austria to sell for her account.
That is the business that has brought me to Valladolid.”
“Is this Dona Ana’s portrait?”
“It is.”
“And this lock of hair? Is that also Dona Ana’s? And do you, then,
pretend that these were also given you to sell?”
“Why else should they be given me?”
Don Rodrigo wondered. They were useless things to steal, and as for the
lock of hair, where should the fellow find a buyer for that? The
Alcalde conned his man more closely, and noted that dignity of bearing,
that calm assurance which usually is founded upon birth and worth. He
sent him to wait in prison, what time he went to ransack the fellow’s
house in Madrigal.
Don Rodrigo was prompt in acting; yet even so his prisoner mysteriously
found means to send a warning that enabled Frey Miguel to forestall the
Alcalde. Before Don Rodrigo’s arrival, the friar had abstracted from
Espinosa’s house a box of papers which he reduced to ashes.
Unfortunately Espinosa had been careless. Four letters not confided to
the box were discovered by the alguaziles. Two of them were from
Anne—one of which supplies the extract I have given; the other two from
Frey Miguel himself.
Those letters startled Don Rodrigo de Santillan. He was a shrewd
reasoner and well-informed. He knew how the justice of Castile was kept
on the alert by the persistent plottings of the Portuguese Pretender,
Don Antonio, sometime Prior of Crato. He was intimate with the past
life of Frey Miguel, knew his self-sacrificing patriotism and
passionate devotion to the cause of Don Antonio, remembered the firm
dignity of his prisoner, and leapt at a justifiable conclusion. The man
in his hands—the man whom the Princess Anne addressed in such
passionate terms by the title of Majesty—was the Prior of Crato. He
conceived that he had stumbled here upon something grave and dangerous.
He ordered the arrest of Frey Miguel, and then proceeded to visit Dona
Ana at the convent. His methods were crafty, and depended upon the
effect of surprise. He opened the interview by holding up before her
one of the letters he had found, asking her if she acknowledged it for
her own.
Public-domain text, read in full here on John Shaqi.
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