The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
She stared a moment panic-stricken; then snatched it from his hands,
tore it across, and would have torn again, but that he caught her
wrists in a grip of iron to prevent her, with little regard in that
moment for the blood royal in her veins. King Philip was a stern
master, pitiless to blunderers, and Don Rodrigo knew he never would be
forgiven did he suffer that precious letter to be destroyed.
Overpowered in body and in spirit, she surrendered the fragments and
confessed the letter her own.
“What is the real name of this man, who calls himself a pastry-cook,
and to whom you write in such terms as these?” quoth the magistrate.
“He is Don Sebastian, King of Portugal.” And to that declaration she
added briefly the story of his escape from Alcacer-el-Kebir and
subsequent penitential wanderings.
Don Rodrigo departed, not knowing what to think or believe, but
convinced that it was time he laid the whole matter before King Philip.
His Catholic Majesty was deeply perturbed. He at once dispatched Don
Juan de Llano, the Apostolic Commissary of the Holy Office to Madrigal
to sift the matter, and ordered that Anne should be solitarily confined
in her cell, and her nuns-in-waiting and servants placed under arrest.
Espinosa, for greater security, was sent from Valladolid to the prison
of Medina del Campo. He was taken thither in a coach with an escort of
arquebusiers.
“Why convey a poor pastry-cook with so much honour?” he asked his
guards, half-mockingly.
Within the coach he was accompanied by a soldier named Cervatos, a
travelled man, who fell into talk with him, and discovered that he
spoke both French and German fluently. But when Cervatos addressed him
in Portuguese the prisoner seemed confused, and replied that although
he had been in Portugal, he could not speak the language.
Thereafter, throughout that winter, examinations of the three chief
prisoners—Espinosa, Frey Miguel, and the Princess Anne—succeeded one
another with a wearisome monotony of results. The Apostolic Commissary
interrogated the princess and Frey Miguel; Don Rodrigo conducted the
examinations of Espinosa. But nothing was elicited that took the matter
forward or tended to dispel its mystery.
The princess replied with a candour that became more and more tinged
with indignation under the persistent and at times insulting
interrogatories. She insisted that the prisoner was Don Sebastian, and
wrote passionate letters to Espinosa, begging him for her honour’s sake
to proclaim himself what he really was, declaring to him that the time
had come to cast off all disguise.
Public-domain text, read in full here on John Shaqi.
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