The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
“Oh! the ring it was both black and blue,
With a hey lillelu and a how lo lan;
And she’s either dead or she’s married,
And the birk and the brume blooms bonnie.
“He’s left the seas and he’s come to the land,” etc.
John Sterling, whose life has been written by the Rev. Julius Charles
Hare, composed a fiction which is worked up through a supposed
talismanic Onyx Ring. The hero had been reading an old book on
necromancy; it caused him to long to change his lot; he appears to be
able to do this, through the appearance or apparition of an old man.
“Would you,” says this figure, in a sweet but melancholy voice, “in
truth accept the power of exchanging your own personal existence at
pleasure for that of other men?” After a moment’s pause, he answered
boldly, “Yes.” “I can bestow the power, but only on these conditions.
You will be able to assume a new part in life once in each week.
For the one hour after midnight on each Saturday, that is, for the
first hour of the new week, you will remember all you have been and
whatever characters you may have chosen for yourself. At the end of
the hour you may make a new choice; but, if then deferred, it will
again be a week before the opportunity will recur. You will also be
incapable of revealing to any one the power you are gifted with.
And if you once resume your present being, you will never again be
able to cast it off. If, on these terms, you agree to my proposal,
take this ring and wear it on the forefinger of your right hand. It
bears the head of the famous Apollonius of Tyana. If you breathe on
it at the appointed hour, you will immediately become any person
you may desire to be,” etc. The hero hesitates and says, “Before I
assent to your offer, tell me whether you would think me wise to do
so.” “Young man, were I to choose again, my choice would be to fill
the station where nature brought me forth and where God, therefore,
doubtless, designed me to work.” The ring is taken; it is supposed
to be at a time when this same hero is in a suspense of love, and
he appears successively to take the form of those who are around
the maiden of his affections. All this, in fact, is imagined by him
while in sickness. He secures his lady love; and sees upon her finger
an onyx ring like the one which had appeared to have allowed of his
visionary changes. She held up her hand before his face, which his
first impulse was to kiss; but he saw that on one of the fingers was
an onyx ring. “How on earth did you come by that? It has haunted me
as if a magic Ariel were fused amid the gold or imprisoned in the
stone.” “I will tell you.” And then the lady, somewhat lamely for the
story, informs him how she came into possession of it. The author
acted cleverly in coupling Apollonius with this ring: for he is
reputed to have been a most potent magician; not only miracles have
been imputed to him, but one writer dares to rank him above Jesus in
superhuman powers.
Public-domain text, read in full here on John Shaqi.
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