The History and Practice of the Art of PhotographySnelling, Henry Hunt
History
The History and Practice of the Art of Photography
Snelling, Henry Hunt
Daguerreotype; Photography
Nitrate of Silver.--In the practice of the photographic art, much
depends on the nitrate of silver. Care should be taken to procure the
best; the crystalized salt is most suitable for the purpose. While in
the form of crystal it is not injured by exposure to light, but the
bottles containing the solutions of this salt should at all times be
kept wrapped in dark paper, and excluded from daylight.
II. DIFFERENT METHODS OF PREPARING THE PAPER.--Preparation of the
Paper.--Dip the paper to be prepared into a weak solution of common
salt. The solution should not be saturated, but six or eight times
diluted with water. When perfectly moistened, wipe it dry with a
towel, or press it between bibulous paper, by which operation the salt
is uniformly dispersed through its substance. Then brush over it, on
one side only, a solution of nitrate of silver. The strength of this
solution must vary according to the color and sensitiveness required.
Mr. Talbot recommends about fifty grains of the salt to an ounce of
distilled water. Some advise twenty grains only, while others say
eighty grains to the ounce. When dried in a dark room, the paper is
fit for use. To render this paper still more sensitive, it must again
be washed with salt and water, and afterwards with the same solution of
nitrate of silver, drying it between times. This paper, if carefully
made, is very useful for all ordinary photographic purposes. For
example, nothing can be more perfect than the images it gives of leaves
and flowers, especially with a summer's sun; the light, passing through
the leaves, delineates every ramification of their fibres. In
conducting this operation, however, it will be found that the results
are sometimes more and sometimes less satisfactory, in consequence of
small and accidental variations in the proportions employed. It
happens sometimes that the chloride of silver formed on the surface of
the paper is disposed to blacken of itself, without any exposure to
light. This shows that the attempt to give it sensibility has been
carried too far. The object is, to approach as nearly to this
condition as possible without reaching it; so that the preparation may
be in a state ready to yield to the slightest extraneous force, such as
the feeblest effect of light.
Cooper's Method.--Soak the paper in a boiling hot solution of chlorate
of potash (the strength matters not) for a few minutes; then take it
out, dry it, and wet it with a brush, on one side only, dipped in a
solution of nitrate of silver, sixty grains to an ounce of distilled
water, or, if not required to be so sensitive, thirty grains to the
ounce will do. This paper possesses a great advantage over any other,
for the image can be fixed by mere washing. It is, however, very apt
to become discolored even in the washing, or shortly afterwards, and
is, besides, not so sensitive, nor does it become so dark as that made
according to Mr. Talbot's method.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account