evidence of a custom which the Phenicians borrowed from the gilded faces of Egyptian coffins.[134] The corpses are covered with gold ornaments and other decorations. There is a large number of weapons and ornaments of gold, silver, copper, brass and glass in the tombs; the execution exhibits a technical skill sometimes more, sometimes less practised. The ornaments remind us of Babylonian and Assyrian patterns; the idols in burnt clay are in the Phenician style; the palm-leaves and palms, antelopes and leopards which frequently occur, point to regions of the East; the articles of amber and the ostrich egg can only have reached the bay of Argos in Phenician ships. Still there are grave reasons for refusing to believe that the persons buried in this tomb are princes of the Phenicians. The numerous pieces of armour show that the dead who rest here were buried with their armour, which is not the traditional custom either with regard to the Phenicians or the Hellenes, but which Thucydides quotes as a mark of the tombs of the Carians.[135] We learn, moreover, even from the Homeric poems, that the Carians loved gold ornaments, and further, that the Greeks improved their armour after the pattern of the Carians (I. 572). As we also find the double axe of the Carian god, the "Zeus Stratius" as the Greeks called him, the "axe-god," the Chars-El in the Carian language (I. 573), on some ornaments of the tombs of Mycenæ, the supposition forces itself upon us that Carians from the western islands must have occupied the shore of the bay of Argos. In any case, the tombs of Mycenæ, both from their position and their contents, announce to us that the people who excavated them and placed their dead in them were dependent on the style and skill of the Phenicians.