The History of England, from the Accession of James II — Volume 2Macaulay, Thomas Babington Macaulay, Baron
History
The History of England, from the Accession of James II — Volume 2
Macaulay, Thomas Babington Macaulay, Baron
Great Britain -- History -- James II, 1685-1688; Great Britain -- History -- William and Mary, 1689-1702
This woman was the daughter of Sir Charles Sedley, one of the most
brilliant and profligate wits of the Restoration. The licentiousness of
his writings is not redeemed by much grace or vivacity; but the charms
of his conversation were acknowledged even by sober men who had no
esteem for his character. To sit near him at the theatre, and to hear
his criticisms on a new play, was regarded as a privilege. [65] Dryden
had done him the honour to make him a principal interlocutor in the
Dialogue on Dramatic Poesy. The morals of Sedley were such as, even in
that age, gave great scandal. He on one occasion, after a wild revel,
exhibited himself without a shred of clothing in the balcony of a
tavern near Covent Garden, and harangued the people who were passing in
language so indecent and profane that he was driven in by a shower of
brickbats, was prosecuted for a misdemeanour, was sentenced to a heavy
fine, and was reprimanded by the Court of King's Bench in the most
cutting terms. [66] His daughter had inherited his abilities and his
impudence. Personal charms she had none, with the exception of two
brilliant eyes, the lustre of which, to men of delicate taste, seemed
fierce and unfeminine. Her form was lean, her countenance haggard.
Charles, though he liked her conversation, laughed at her ugliness, and
said that the priests must have recommended her to his brother by way of
penance. She well knew that she was not handsome, and jested freely on
her own homeliness. Yet, with strange inconsistency, she loved to
adorn herself magnificently, and drew on herself much keen ridicule
by appearing in the theatre and the ring plastered, painted, clad in
Brussels lace, glittering with diamonds, and affecting all the graces of
eighteen. [67]
The nature of her influence over James is not easily to be explained. He
was no longer young. He was a religious man; at least he was willing
to make for his religion exertions and sacrifices from which the great
majority of those who are called religious men would shrink. It seems
strange that any attractions should have drawn him into a course of life
which he must have regarded as highly criminal; and in this case
none could understand where the attraction lay. Catharine herself was
astonished by the violence of his passion. "It cannot be my beauty," she
said; "for he must see that I have none; and it cannot be my wit, for he
has not enough to know that I have any."
Public-domain text, read in full here on John Shaqi.
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