The History of the Devil, As Well Ancient as Modern: In Two Parts — John Shaqi
The History of the Devil, As Well Ancient as Modern: In Two PartsDefoe, Daniel
Philosophy
The History of the Devil, As Well Ancient as Modern: In Two Parts
Defoe, Daniel
Devil -- Early works to 1800
Stand still in bright array, _ye Saints_------
---- ------ -------- -------- Here stand,
_Ye Angels_. ------
_Par. Lost. lib._ vi. _fo._ 174.
So that CHRIST here is brought in drawing up his Army before the last
Battle, and making a Speech to them, to tell them they shall only stand
by in warlike order, but that they shall have no occasion to fight, for
he alone will engage the Rebels. Then in embattling his Legions, he
places the Saints here, and the Angels there, as if one were the main
Battle of Infantry, and the other the Wings of Cavalry. But who are
those Saints? they are indeed all of _Milton_'s own making; 'tis certain
there were no Saints at all in _Heaven_ or _Earth_ at that time; GOD and
his _Angels_ fill'd up the place; and till some of the _Angels_ fell,
and Men were created, had liv'd, and were dead, there could have been no
_Saints_ there. Saint _Abel_ was certainly the _Proto-Saint_ of all that
ever were seen in _Heaven_, as well as the Proto-martyr of all that have
been upon _Earth_.
Just such another Mistake, not to call it a Blunder, he makes about
_Hell_; which he not only makes LOCAL, but gives it a being before the
Fall of the _Angels_; and brings it in opening its mouth to receive
them. This is so contrary to the nature of the thing, and so great an
absurdity, that no Poetic License can account for it; for tho' Poesie
may form Stories, as Idea and Fancy may furnish Materials, yet Poesy
must not break in upon Chronology, and make things which in time were to
exist, act before they existed.
Thus a Painter may make a fine piece of Work, the fancy may be good, the
strokes masterly, and the beauty of the Workmanship inimitably curious
and fine, and yet have some unpardonable improprieties which marr the
whole Work. So the famous Painter of _Toledo_ painted the story of the
three Wisemen of the _East_ coming to worship, and bring their presents
to our Lord upon his birth at _Bethlehem_, where he represents them as
three _Arabian_ or _Indian_ Kings; two of them are white, and one black;
But unhappily when he drew the latter part of them kneeling, which to be
sure was done after their faces; their legs being necessarily a little
intermix'd, he made three black feet for the _Negroe_ King, and but
three white feet for the two white Kings, and yet never discover'd the
mistake till the piece was presented to the King, and hung up in the
great Church. As this is an unpardonable error in Sculpture or Limning,
it must be much more so in Poetry, where the Images must have no
improprieties, much less inconsistencies.
Public-domain text, read in full here on John Shaqi.
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