See Pashley, i. 247. Pignor. de Serv. 193. Footnote 222: “The beautiful colour we call auburn, and which the ancients expressed by the term golden, is the most common among the Greeks; and they have gilt wire and various other ornaments (among which might yet perhaps be recognised the Athenian grasshopper) in ringlets, which they allow to float over their shoulders, or bind their hair in long tresses that hang upon the back.”—Douglas, Essay, &c. p. 147, seq. Footnote 223: This is beautifully described by Lucian:—Γυναικὶ δὲ ἀεὶ πάσῃ ἡ τοῦ δαψιλεῖς μὲν ἀπὸ τῶν βοστρύχων τῆς κεφαλῆς ἕλικες, ὑακίνθοις τὸ καλὸν ἀνθοῦσιν ὅμοια πορφύροντες· οἱ μὲν, ἐπινώτιοι κέχυνται μεταφρένων κόσμος, οἱ δε παρ’ ὦτα καὶ κροτάφους, πολὺ τῶν ἐν λειμῶνι οὐλότερον σελίνων· τὸ δ᾽ ἄλλο σῶμα, μηδ᾽ ἀκαρῆ τριχὸς αὐταῖς ὑποφυομένης ἠλέκτρου, φάσιν, ἢ Σιδωνίας ὑέλου διαφεγγέστιρον ἀπαστραπται.—Amor. § 26. Footnote 224: Pignor. de Serv. 194, seq. Footnote 225: The young lady, in Lucian, describes thin hair drawn back so as to expose the forehead as a great deformity.—Diall. Meret. i. Footnote 226: A taste not greatly dissimilar presides over the in-door dress of the modern Greek women. “In the gynecæum,” says Chandler, “the girl, like Thetis, treading on a soft carpet, has her white and delicate feet naked; the nails tinged with red. Her trowsers, which in winter are of red cloth, and in summer of fine calico or thin gauze, descend from the hip to the ankle, hanging loosely about her limbs, the lower portion embroidered with flowers, and appearing beneath the shift, which has the sleeves wide and open, and the seams and edges curiously adorned with needlework. Her vest is of silk, exactly fitted to the form of the bosom and the shape of the body, which it rather covers than conceals, and is shorter than the shift. The sleeves button occasionally to the hand, and are lined with red or yellow satin. A rich zone encompasses her waist, and is fastened before by clasps of silver gilded, or of gold, set with precious stones. Over the vest is a robe, in summer lined with ermine, and in cold weather with fur. The head-dress is a skull-cap, red or green, with pearls; a stay under the chin, and a yellow fore-head cloth, She has bracelets of gold on her wrists; and, like Aurora, is rosy-fingered, the tips being stained. Her necklace is a string of zechins, a species of gold coin, or of the pieces called Byzantines. At her cheeks is a lock of hair made to curl toward the face; and down her back falls a profusion of tresses, spreading over her shoulders.”—ii. 140. -----