It was a warm and sunny September morning when I left the little town of Nymphi near Smyrna with a strong escort of Turkish soldiers, and made my way to the Pass of Karabel. The Pass of Karabel is a narrow defile, shut in on either side by lofty cliffs, through which ran the ancient road from Ephesos in the south to Sardes and Smyrna in the north. The Greek historian Herodotos tells us that the Egyptian conqueror Sesostris had left memorials of himself in this place. 'Two images cut by him in the rock' were to be seen beside the roads which led 'from Ephesos to Phokaea and from Sardes to Smyrna. On either side a man is carved, a little over three feet in height, who holds a spear in the right hand and a bow in the left. The rest of his accoutrement is similar, for it is Egyptian and Ethiopian, and from one shoulder to the other, right across the breast, Egyptian hieroglyphics have been cut which declare: "I have won this land with my shoulders."' These two images were the object of my journey. One of them had been discovered by Renouard in 1839, and shortly afterwards sketched by Texier; the other had been found by Dr. Beddoe in 1856. But visitors to the Pass in which they were engraved were few and far between; the cliffs on either side were the favourite haunt of brigands, and thirty soldiers were not deemed too many to protect my safety. My work of exploration had to be carried on under the shelter of their guns, for more than twenty bandits were lurking under the brushwood above. The sculpture sketched by Texier had subsequently been photographed by Mr. Svoboda. It represents a warrior whose height is rather more than life-size, and who stands in profile with the right foot planted in front of him, in the attitude of one who is marching. In his right hand he holds a spear, behind his left shoulder is slung a bow, and the head is crowned with a high peaked cap. He is clad in a tunic which reaches to the knees, and his feet are shod with boots with turned-up ends. The whole figure is cut in deep relief in an artificial niche, and between the spear and the face are three lines of hieroglyphic characters. The figure faces south, and is carved on the face of the eastern cliff of Karabel. It had long been recognised that the hieroglyphics were not those of Egypt, and Professor Perrot had also drawn attention to the striking resemblance between the style of art represented by this sculpture and that represented by certain rock-sculptures in Kappadokia, as well as by the sculptured image of a warrior discovered by himself at a place called Ghiaur-kalessi, 'the castle of the infidel,' in Phrygia, which is practically identical in form and character with the sculptured warrior of Karabel.