American essays -- 20th century; Child development; Children; Education
"It is good to see you place your hands together. To me it is a symbol
of the marriage of the East and West, for the East and West must mate.
Long ago the East went up to God and the West went down to men. The
East has learned Vision and the West has learned Action. These two
must meet and mate again for the glory of God and the splendour of
earth. The East has lifted its soul to the hills and held fast to
its memory of the Father's house. The West has descended into the
folds of the valley, and won from agony and isolation its efficacy in
material things. And now the mystic is looking down and the materialist
is looking up. Soon their hands shall join--like your two hands in
mine--and there shall be great joy in the Father's House."
* * * * *
9
STEVE
Steve and I were camping together for a few weeks on the Southern
California strand. One morning he looked up from the pages of a book in
his hands and remarked:
"This fellow is one of us."
The book was _Youth_, by Joseph Conrad.
"I haven't read a book for a long time," Steve added. "There are three
stories in this. I've read only one--_Heart of Darkness_--in fact, I
haven't finished that.... You have to fall into this Conrad and be
his--to get him. You let your mind open into a cup, and presently after
six or seven pages, you find it brimming. If you fall into him deep
enough, you get almost what he sees--not quite though. No reader ever
does. But you get something intense, fascinating, a restlessness, a
terror. You find that all your somnolence and inertia has caught fire."
There had been a ten minutes' rain at dawn. The smell of the tropics
moved over the sterile sand. It was cool, but there was no wind. The
day promised heat. We had been up in Canada for the winter, and it was
hard to believe that hot sunlight was free. A broad quilt of gulls and
plover sat together on the shore waiting for the drying light or for
the mist to rise, or the tide to ebb....
Steve resumed:
"He tells about a boy who loved maps--who used to look for hours at the
continents--thrillingly attracted to the darkest places, the patches
still unprotected. There was one heart of darkness with a river winding
through. He doesn't tell you the continent or the river, but there were
elephants there. He should have called the story _Ivory_.... Years
afterward, the man, worn to the bone from the world's lies, sets out to
penetrate this deepest black of the planet. He reaches the river and
follows it for endless days, but the world has arrived. Some nation is
there colonising for Ivory--you don't know which. The story is told
like that--unplaced in time and space. Really it doesn't matter what
particular imperialistic tendency is at work. The fact is, he climbed
the river into the ghastliest chaos....
Public-domain text, read in full here on John Shaqi.
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