Nor should I stop with the industries of commerce and manufacture. There are many possibilities in the sounds and voices that are known of fisherfolk and campers and foresters and farmers. Somehow we should be able to individualize these voices and to give them an artistic expression in some kind of human composition. There are rich suggestions in the voices of the farmyard, the calls of wild creatures, the tones of farm implements and machinery, the sounds of the elements, and particularly in the relations of all these to the pauses, the silences, and the distances beyond. Whether it is possible to utilize any of these tones and voices artistically is not for a layman to say; but the layman may express the need that he feels. _The threatened literature_ A fear seems to be abroad that the inquisitiveness and exactness of science will deprive literature of imagination and sympathy and will destroy artistic expression; and it is said that we are in danger of losing the devotional element in literature. If these apprehensions are well founded, then do we have cause for alarm, seeing that literature is an immeasurable resource. Great literature may be relatively independent of time and place, and this is beyond discussion here; but if the standards of interpretative literature are lowering it must be because the standards of life are lowering, for the attainment and the outlook of a people are bound to be displayed in its letters. Perhaps our difficulty lies in a change in methods and standards rather than in essential qualities. We constantly acquire new material for literary use. The riches of life are vaster and deeper than ever before. It would be strange indeed if the new experience of the planet did not express itself in new literary form.