India -- History -- Autonomy and independence movements -- Fiction
Every year, about this time, it was our practice to go in a
house-boat over the broads of Samalda. I used to tell Bimala
that a song must come back to its refrain over and over again.
The original refrain of every song is in Nature, where the rain-
laden wind passes over the rippling stream, where the green
earth, drawing its shadow-veil over its face, keeps its ear close
to the speaking water. There, at the beginning of time, a man
and a woman first met--not within walls. And therefore we two
must come back to Nature, at least once a year, to tune our love
anew to the first pure note of the meeting of hearts.
The first two anniversaries of our married life I spent in
Calcutta, where I went through my examinations. But from the
next year onwards, for seven years without a break, we have
celebrated our union among the blossoming water-lilies. Now
begins the next octave of my life.
It was difficult for me to ignore the fact that the same month of
August had come round again this year. Does Bimala remember it,
I wonder?--she has given me no reminder. Everything is mute
about me.
/*
It is August, the sky breaks into a passionate rain;
Alas, empty is my house.
*/
The house which becomes empty through the parting of lovers,
still has music left in the heart of its emptiness. But the
house that is empty because hearts are asunder, is awful in its
silence. Even the cry of pain is out of place there.
This cry of pain must be silenced in me. So long as I continue
to suffer, Bimala will never have true freedom. I must free her
completely, otherwise I shall never gain my freedom from untruth
...
I think I have come to the verge of understanding one thing. Man
has so fanned the flame of the loves of men and women, as to make
it overpass its rightful domain, and now, even in the name of
humanity itself, he cannot bring it back under control. Man's
worship has idolized his passion. But there must be no more
human sacrifices at its shrine ...
I went into my bedroom this morning, to fetch a book. It is long
since I have been there in the day-time. A pang passed through
me as I looked round it today, in the morning light. On the
clothes rack was hanging a __sari__ of Bimala's, crinkled
ready for wear. On the dressing-table were her perfumes, her
comb, her hair-pins, and with them, still, her vermilion box!
Underneath were her tiny gold-embroidered slippers.
Public-domain text, read in full here on John Shaqi.
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