India -- History -- Autonomy and independence movements -- Fiction
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"Those who would draw us back,
They know not the fearful joy of recklessness.
They know not that we have had our call
From the end of the crooked path.
All that is good and straight and trim--
Let it topple over in the dust."
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I thought that my husband was going to continue the discussion,
but he rose silently from his seat and left us.
The thing that was agitating me within was merely a variation of
the stormy passion outside, which swept the country from one end
to the other. The car of the wielder of my destiny was fast
approaching, and the sound of its wheels reverberated in my
being. I had a constant feeling that something extraordinary
might happen any moment, for which, however, the responsibility
would not be mine. Was I not removed from the plane in which
right and wrong, and the feelings of others, have to be
considered? Had I ever wanted this--had I ever been waiting or
hoping for any such thing? Look at my whole life and tell me
then, if I was in any way accountable.
Through all my past I had been consistent in my devotion--but
when at length it came to receiving the boon, a different god
appeared! And just as the awakened country, with its __Bande
Mataram__, thrills in salutation to the unrealized future
before it, so do all my veins and nerves send forth shocks of
welcome to the unthought-of, the unknown, the importunate
Stranger.
One night I left my bed and slipped out of my room on to the open
terrace. Beyond our garden wall are fields of ripening rice.
Through the gaps in the village groves to the North, glimpses of
the river are seen. The whole scene slept in the darkness like
the vague embryo of some future creation.
In that future I saw my country, a woman like myself, standing
expectant. She has been drawn forth from her home corner by the
sudden call of some Unknown. She has had no time to pause or
ponder, or to light herself a torch, as she rushes forward into
the darkness ahead. I know well how her very soul responds to
the distant flute-strains which call her; how her breast rises
and falls; how she feels she nears it, nay it is already hers, so
that it matters not even if she run blindfold. She is no mother.
There is no call to her of children in their hunger, no home to
be lighted of an evening, no household work to be done. So; she
hies to her tryst, for this is the land of the Vaishnava Poets.
She has left home, forgotten domestic duties; she has nothing but
an unfathomable yearning which hurries her on--by what road, to
what goal, she recks not.
Public-domain text, read in full here on John Shaqi.
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