together in the sand in order that their bodies might be
thoroughly dried. Every snake in the collection was thus washed,
the harmless varieties being bathed after the venomous. In the
destruction of the altar by the reptiles the snake _ti-po-ni_
stood upright until all had been washed, and then one of the
priests turned it on its side, as a sign that the observance had
ended. The low, weird song of the Snake men continued, and
gradually died away until there was no sound but the warning
rattle of the snakes, mingled with that of the rattles in the
hands of the chiefs, and finally the motion of the snake whips
ceased, and all was silent.
On the previous day the Antelope society had celebrated its race and
public dance, which duplicate those of the Snake society, except that
the former take first place, and instead of snakes, the priests dance
about, the leader holding a bundle of cornstalks in the mouth.
Now comes the stirring dawn race of the Snake society. The race is
from a distant spring to the mesa and is full of excitement, filling
one with surprise at the endurance of the runners. The winner will
arrive at the kiva, breathing more freely, perhaps, than usual, but
showing almost no traces of his strenuous efforts, and will wait
quietly for the award of the prize. In the kiva meanwhile the priests
have been enacting a drama of the Snake legend.
After a few hours, when the sun is getting low, the Antelope priests
file out and after circling the plaza stand in line awaiting the Snake
priests, who advance with tragic strides. They circle the plaza three
times, each stamping on a plank in front of the cottonwood bower,
_kisi_, to notify the denizens of the underworld that a ceremony in
their honor is progressing. They face the Antelope chorus, the rattles
tremble with a sound like the warning of the rattlesnake, and a deep,
low-toned chant begins like a distant storm. The chant increases in
volume, the lines sway, then undulate backward and forward, and at
last, in a culminating burst of the chant, the Snake men form in
groups of three and dance around the plaza with a strange step like a
restrained leap. The snakes have been placed in the _kisi_ in care of
the passer hidden among the boughs. As the trios in succession arrive
before the _kisi_ the carrier drops to his knees, secures a snake
which he grasps in his mouth, rises and dances around in a circular
path four times, when the snake is dropped to the ground and is picked
up with lightning rapidity by the third member of the trio who retains
the squirming reptile in his hands. Thus these groups of _demons_
circle until all the snakes have been carried. The chant ceases; a
priest draws a cloud symbol in white meal on the rock floor of the
mesa, and with wild action the gatherers throw the snakes on the meal;
a fierce scramble ensues, and in a moment one sees the priests running
down the trails to deposit their brothers among the rocks a mile or so
away.
Public-domain text, read in full here on John Shaqi.
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