The Snake Priests, who stood by the snake jars which were in the
east corner of the room, began to take out the reptiles, and stood
holding several of them in their hands behind Su-pe-la, so that my
attention was distracted by them. Su-pe-la then prayed, and after
a short interval two rattlesnakes were handed him, after which
venomous snakes were passed to the others, and each of the six
priests who sat around the bowl held two rattlesnakes by the necks
with their heads elevated above the bowl. A low noise from the
rattles of the priests, which shortly after was accompanied by a
melodious hum by all present, then began. The priests who held the
snakes beat time up and down above the liquid with the reptiles,
which, although not vicious, wound their bodies around the arms of
the holders. The song went on and frequently changed, growing
louder and wilder, until it burst forth into a fierce,
blood-curdling yell, or war-cry. At this moment the heads of the
snakes were thrust several times into the liquid, so that even
parts of their bodies were submerged, and were then drawn out,
not having left the hands of the priests, and forcibly thrown
across the room upon the sand mosaic, knocking down the crooks and
other objects placed about it. As they fell on the sand picture
three Snake priests stood in readiness, and while the reptiles
squirmed about or coiled for defense, these men with their snake
whips brushed them back and forth in the sand of the altar. The
excitement which accompanied this ceremony cannot be adequately
described. The low song, breaking into piercing shrieks, the
red-stained singers, the snakes thrown by the chiefs, and the
fierce attitudes of the reptiles as they lashed on the sand
mosaic, made it next to impossible to sit calmly down, and quietly
note the events which followed one after another in quick
succession. The sight haunted me for weeks afterwards, and I can
never forget this wildest of all the aboriginal rites of this
strange people, which showed no element of our present
civilization. It was a performance which might have been expected
in the heart of Africa rather than in the American Union, and
certainly one could not realize that he was in the United States
at the end of the nineteenth century. The low weird song continued
while other rattlesnakes were taken in the hands of the priests,
and as the song rose again to the wild war-cry, these snakes were
also plunged into the liquid and thrown upon the writhing mass
which now occupied the place of the altar. Again and again this
was repeated until all the snakes had been treated in the same
way, and reptiles, fetiches, crooks and sand were mixed together
in one confused mass. As the excitement subsided and the snakes
crawled to the corners of the _kiva_, seeking vainly for
protection, they were pushed back in the mass, and brushed
Public-domain text, read in full here on John Shaqi.
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