The Flute legend, of which the ceremony is a dramatization, relates
that the Bear and Snake people in early times lived along the Walpi.
The Horn and Flute people came that way and halted at a spring. Not
knowing whether other people lived in their neighborhood, they sent
out a spy who returned and reported that he had seen traces of other
peoples. The Flute people set forth to find them, and so they came to
the Walpi houses, halting at the foot of the mesa and moving up the
trail, as in the ceremony, with songs and the music of flutes.
The Walpi people had drawn a line of meal across the trail, closing it
from all comers, and demanded whence the Flutes were going and what
they desired. Then the Flute chief said:
"We are of your blood, Hopi. Our hearts are good and our speech
straight. We carry on our backs the tabernacle of the Flute Altar.
We can cause rain to fall." Four times they challenged the Flute
people as they stood before the line of meal and four times this
reply was given. Then the Walpians erased the meal barrier and the
Flutes passed into the pueblo, set up their altar, sang the
cloud-compelling songs and brought the welcome rain. Then the Bear
and Snake chiefs said, "Surely your chief shall be one of our
chiefs."
It will be seen that this legend, collected by Dr. J. Walter Fewkes,
is enacted in the ceremony just described. And the Flute priests also
think they are more successful rain makers than the Snake-Antelope
priests, and do not hesitate to so declare.[6]
[6] The Walpi Flute Observance, Dr. J. Walter Fewkes, Jour. Am.
Folk-Lore, Vol. 7, Oct.-Dec., 1894.
In the September moon the Hopi women of five of the pueblos hold a
celebration of their own, which is not the least interesting ceremony
in the calendar. It is called the Lalakonti, and like the other
ceremonies of this part of the year extends over nine days. Sometimes
it is called the Basket Dance--from the great use made of the sacred
plaques in the ceremony--a quite appropriate use, since these baskets
are peculiarly the product of women's taste and skill. The details of
the kiva rites, such as _paho_ making, the construction of a sand
altar, initiation of novitiates, dispatching of messengers, songs,
etc., need not be entered into, since they belong to all the
ceremonies and have much in common.
Public-domain text, read in full here on John Shaqi.
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