The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
On all these vulgar and suburban and irreligious people the June sun
looked down with a great kindness and warmth; and they were happy. And
Stephen, as a rule, was happy at Hammersmith on Sunday mornings. He
thought with repugnance of Sunday morning in Kensington, of stiff
clothes in the High Street and the shuttered faces of large drapery
stores; he thought with pity even of the promenaders in Hyde Park,
unable to see the trees for the people, unable to look at the sky
because of their collars. He loved the air and openness and pleasant
vulgar variety of Sunday morning at Hammersmith. Here at least it was a
day of naturalness and rest. On any other Sunday, if the tide served, he
would have slipped out after breakfast in his boat to gather firewood
for the winter. Just now there was a wealth of driftwood in the river,
swept off wharves by the spring tides or flung away by bargees--wedges
and small logs and box-wood and beams and huge stakes, and delicious
planks covered with tar. Any one who had a boat went wood-hunting on the
river.
He had a mind to go now. But it would look so odd, with his wife
dangerously ill indoors, though she herself had told him to do it. But
then that was like her. He must not go unless he had to--unless he saw
something.... All Saturday while the tide was up he had furtively
watched from window or garden, and seen nothing. Perhaps he had made a
mistake on Friday.
No. He had made no mistake. Emily Gaunt was drifting somewhere in this
damnably public river. Unless she was already found, already lying in a
mortuary. And if she was--
Stephen looked enviously at the happy crowds on the towpath, on the
steamers, in the boats. A heavy sculling-boat passed close to the wall.
It seemed almost to overflow with young men and women. All of them gazed
curiously at him, muttering comments on his appearance. Their easy
laughter annoyed him. He went indoors.
He sat down automatically at his table in the window, and took out of a
pigeon-hole a crumpled bundle of scribbled paper. It was the beginning
of a long poem. He had begun it--when? Two--three weeks ago. Before
Emily. He read through what he had written, and thought it bad--weak,
flabby, uneven stuff--as it stood. But it was a good idea, and he could
do it justice, he was sure, if he persevered. But not now. Just now he
was incapable. Since Emily's night he had not written a line of poetry;
he had only tried once. Not because of his conscience--it was the
anxiety, the worry. He could not concentrate.
A bell rang below, and he wondered if it was John Egerton. There was the
sound of conversation in the hall, Cook's voice and the voice of a man,
powerful and low. Then Cook lumbered up the stairs.
"If you please, sir, there's a man brought the sack back what Mr.
Egerton took, as used to 'ang in the scullery, and 'e'd like to see
you."
Public-domain text, read in full here on John Shaqi.
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