The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Then he went into the garden, full of a curious relief, almost of
exultation. He could delight at last in the sun and the boats and the
happy, irresponsible people. He, too, could look at the beloved river
without any urgent anxiety of what it might carry into his view. The
worst was over; the doubts were done with. Emily was found, and there
was an end to it. And he had diddled the policeman. How cleverly, how
gloriously he had diddled the policeman. Perfect frankness and easiness
and calm--a gracious manner and a good lie--they had worked perfectly.
He had never hoped for anything so easy. Almost without intention,
certainly without plan, as if inspired he had uttered those tremendous
lies about John. And, of course, he could hardly have said anything
else. Cook had given John away already; one must be consistent. Poor old
John! He must see John--talk to him--warn him--no, diddle him. He could
manage John all right.
He went down the steps into his tiny dinghy--a minute, fragile,
flat-bottomed affair, just large enough and strong enough for a single
man. It flitted lightly on the surface like one of those
cumbrous-looking waterflies which move suddenly on the quiet surface of
ponds with a startling velocity. He called it _The Water Beetle_.
With a few strokes Stephen shot out into the lovely sun, and drifted a
little, faintly stirring the oars as they rested flatly on the golden
water with a movement which was almost a caress. It was very delightful
out there, very soothing and warm. It was inspiring, too. Stephen
thought suddenly of the long poem. He must have a go at that--now that
things were better, now that his mind was easier.
Then he saw John walk down to the end of his garden, smoking comfortably
the unique and wonderful Sunday morning pipe. He rowed back immediately
to the wall, framing smooth explanatory phrases in his head. John, he
saw, was gazing with a strained look through his glasses at a muddle of
wreckage drifting down from the Island.
"You needn't worry, John," he said; "it's all over--it's--it's
_found_.... Come down the steps."
John came down and squatted at the foot of the steps, saying nothing.
Stephen tied up the boat, but did not get out of it.
"A man's been here this morning--a policeman--with the sack ... he
wanted to know if we knew anything about it.... Cook saw him first, and
let out that it was ours--said we'd lent it to you--silly fool ... about
three weeks back ... when I saw him it was too late to say anything
else...." He stopped and looked up. Surely John was going to say
something.
John looked steadily at him and said nothing.
"She said Mabel went round and asked you for it, and you said--what
_did_ you say, John?"
John looked out across the river and thought. Then he said in a far-away
voice:
"I said I'd taken it out to pick up wood--and lost it. Overboard ... I
had to say something."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account