The House of a Thousand CandlesNicholson, Meredith
General
The House of a Thousand Candles
Nicholson, Meredith
Indiana -- Fiction; Inheritance and succession -- Fiction; Mystery and detective stories
“Oh, rather! She gives us music lessons.”
“So Miss Devereux is the music-teacher, is she?
Should you call her a popular teacher?”
“The girls call her”—she seemed moved to mirth by
the recollection—“Miss Prim and Prosy.”
“Ugh!” I exclaimed sympathetically. “Tall and hungry-looking,
with long talons that pound the keys with
grim delight. I know the sort.”
“She’s a sight!“—and my guide laughed approvingly.
“But we have to take her; she’s part of the treatment.”
“You speak of St. Agatha’s as though it were a sanatorium.”
“Oh, it’s not so bad! I’ve seen worse.”
“Where do most of the students come from,—all what
you call Hoosiers?”
“Oh, no! They’re from all over—Cincinnati, Chicago,
Cleveland, Indianapolis.”
“What the magazines call the Middle West.”
“I believe that is so. The bishop addressed us once
as the flower of the Middle West, and made us really
wish he’d come again.”
We were approaching the gate. Her indifference to
the storm delighted me. Here, I thought in my admiration,
is a real product of the western world. I felt that
we had made strides toward such a comradeship as it is
proper should exist between a school-girl in her teens
and a male neighbor of twenty-seven. I was—going
back to English fiction—the young squire walking home
with the curate’s pretty young daughter and conversing
with fine condescension.
“We girls all wish we could come over and help hunt
the lost treasure. It must be simply splendid to live in
a house where there’s a mystery,—secret passages and
chests of doubloons and all that sort of thing! My!
Squire Glenarm, I suppose you spend all your nights exploring
secret passages.”
This free expression of opinion startled me, though
she seemed wholly innocent of impertinence.
“Who says there’s any secret about the house?” I demanded.
“Oh, Ferguson, the gardener, and all the girls!”
“I fear Ferguson is drawing on his imagination.”
“Well, all the people in the village think so. I’ve
heard the candy-shop woman speak of it often.”
“She’d better attend to her taffy,” I retorted.
“Oh, you mustn’t be sensitive about it! All us girls
think it ever so romantic, and we call you sometimes the
lord of the realm, and when we see you walking through
the darkling wood at evenfall we say, ‘My lord is brooding
upon the treasure chests.’ ”
This, delivered in the stilted tone of one who is half-quoting
and half-improvising, was irresistibly funny,
and I laughed with good will.
“I hope you’ve forgiven me—” I began, kicking the
gate to knock off the snow, and taking the key from my
pocket.
“But I haven’t, Mr. Glenarm. Your assumption is,
to say the least, unwarranted,—I got that from a book!”
“It isn’t fair for you to know my name and for me not
to know yours,” I said leadingly.
“You are perfectly right. You are Mr. John Glenarm
—the gardener told me—and I am just Olivia.
They don’t allow me to be called Miss yet. I’m very
young, sir!”
Public-domain text, read in full here on John Shaqi.
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