New York (N.Y.) -- Fiction; Psychological fiction; Single women -- Fiction; Social classes -- Fiction
Lily had no real intimacy with nature, but she had a passion for
the appropriate and could be keenly sensitive to a scene which
was the fitting background of her own sensations. The landscape
outspread below her seemed an enlargement of her present mood, and
she found something of herself in its calmness, its breadth, its
long free reaches. On the nearer slopes the sugar-maples wavered
like pyres of light; lower down was a massing of grey orchards, and
here and there the lingering green of an oak-grove. Two or three
red farm-houses dozed under the apple-trees, and the white wooden
spire of a village church showed beyond the shoulder of the hill;
while far below, in a haze of dust, the high-road ran between the
fields.
“Let us sit here,” Selden suggested, as they reached an open ledge
of rock above which the beeches rose steeply between mossy boulders.
Lily dropped down on the rock, glowing with her long climb. She
sat quiet, her lips parted by the stress of the ascent, her eyes
wandering peacefully over the broken ranges of the landscape.
Selden stretched himself on the grass at her feet, tilting his hat
against the level sun-rays, and clasping his hands behind his head,
which rested against the side of the rock. He had no wish to make
her talk; her quick-breathing silence seemed a part of the general
hush and harmony of things. In his own mind there was only a lazy
sense of pleasure, veiling the sharp edges of sensation as the
September haze veiled the scene at their feet. But Lily, though her
attitude was as calm as his, was throbbing inwardly with a rush of
thoughts. There were in her at the moment two beings, one drawing
deep breaths of freedom and exhilaration, the other gasping for
air in a little black prison-house of fears. But gradually the
captive’s gasps grew fainter, or the other paid less heed to them:
the horizon expanded, the air grew stronger, and the free spirit
quivered for flight.
Public-domain text, read in full here on John Shaqi.
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