The House of Quiet: An AutobiographyBenson, Arthur Christopher
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The House of Quiet: An Autobiography
Benson, Arthur Christopher
Country life -- England -- Fiction; English fiction -- 20th century; Invalids -- Fiction
He was a tall thin man, with a slight stoop. He could not be called
handsome, but his face had a strange dignity and power; he had a pallid
complexion, at times indeed like parchment from its bloodlessness, and
dark hair which remained dark up to the very end. His eyebrows were
habitually drawn up, giving to his face a look of patient endurance;
his eyelids drooped over his eyes, which gave his expression a certain
appearance of cynicism, but when he opened them full, and turned them
upon you, they were dark, passionate, and with a peculiar brightness. His
lips were full and large, with beautiful curves, but slightly compressed
as a rule, which gave a sense of severity. He was clean shaven, and
always very carefully dressed, but in somewhat secular style, with high
collars, a frock-coat and waistcoat, a full white cambric tie, and—I
shudder to relate it in these days—he was seldom to be seen in black
trousers, but wore a shade of dark grey. If you had substituted a black
tie for a white one you would have had an ordinary English layman dressed
as though for town—for he always wore a tall hat. He often rode about the
parish, when he wore a dark grey riding-suit with gaiters. I do not think
he ever gave his clothes a thought, but he had the instincts of a fine
gentleman, and loved neatness and cleanliness. He had never married, but
his house was administered by an elderly sister—rather a grim, majestic
personage, with a sharp ironical tongue, and no great indulgence for
weakness. Miss Woodward considered herself an invalid, and only appeared
in fine weather, driving in a smart little open carriage. They were
people of considerable wealth, and the rectory, which was an important
house standing in a large glebe, had two gardeners and good stables,
and was furnished within, in a dignified way, with old solid furniture.
Mr. Woodward had a large library, and at the little dinner-parties that
he gave, where the food was of the simplest, the plate was ancient and
abundant—old silver candlesticks and salvers in profusion—and a row of
family pictures beamed on you from the walls. Mr. Woodward used to say,
if any one admired any particular piece of plate, “Yes, I believe it is
good; it was all collected by an old uncle of mine, who left it to me
with his blessing for my lifetime. Of course I don’t quite approve of
using it—I believe I ought not even to have two coats—but I can’t sell
it, and meantime it looks very nice and does no harm.” The living was
a wealthy one, but it was soon discovered that Mr. Woodward spent all
that he received on that head in the parish. He did not pauperise idle
parishioners, but he was always ready with a timely gift to tide an
honest man over a difficulty. He liked to start the boys in life, and
would give a girl a little marriage portion. He paid for a parish nurse,
but at the same time he insisted on almsgiving as a duty. “I don’t do
these things to save you the trouble of giving,” he would say, “but to
Public-domain text, read in full here on John Shaqi.
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