There was still another peculiarity of this inscrutable charm. The
bedchamber, no doubt, was a chamber of very great and varied
experience, as a scene of human life: the joy of bridal nights had
throbbed itself away here; new immortals had first drawn earthly breath
here; and here old people had died. But—whether it were the white
roses, or whatever the subtile influence might be—a person of delicate
instinct would have known at once that it was now a maiden’s
bedchamber, and had been purified of all former evil and sorrow by her
sweet breath and happy thoughts. Her dreams of the past night, being
such cheerful ones, had exorcised the gloom, and now haunted the
chamber in its stead.
After arranging matters to her satisfaction, Phœbe emerged from her
chamber, with a purpose to descend again into the garden. Besides the
rosebush, she had observed several other species of flowers growing
there in a wilderness of neglect, and obstructing one another’s
development (as is often the parallel case in human society) by their
uneducated entanglement and confusion. At the head of the stairs,
however, she met Hepzibah, who, it being still early, invited her into
a room which she would probably have called her boudoir, had her
education embraced any such French phrase. It was strewn about with a
few old books, and a work-basket, and a dusty writing-desk; and had, on
one side, a large black article of furniture, of very strange
appearance, which the old gentlewoman told Phœbe was a harpsichord. It
looked more like a coffin than anything else; and, indeed,—not having
been played upon, or opened, for years,—there must have been a vast
deal of dead music in it, stifled for want of air. Human finger was
hardly known to have touched its chords since the days of Alice
Pyncheon, who had learned the sweet accomplishment of melody in Europe.
Hepzibah bade her young guest sit down, and, herself taking a chair
near by, looked as earnestly at Phœbe’s trim little figure as if she
expected to see right into its springs and motive secrets.
“Cousin Phœbe,” said she, at last, “I really can’t see my way clear to
keep you with me.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account