The House of Walderne: A Tale of the Cloister and the Forest in the Days of the Barons' WarsCrake, A. D. (Augustine David)
ReligionChristian
The House of Walderne: A Tale of the Cloister and the Forest in the Days of the Barons' Wars
Crake, A. D. (Augustine David)
Historical fiction
There the horror-stricken Hubert heard the dismal tale which we have
already related, and that his unhappy father believed himself yet
visited each night by the ghost of the man he had slain. And also that
it was fixed in his poor diseased brain that the apparition would not
rest until the crusade, vowed by the Sieur de Fievrault, but cut short
by his fall, should be made by proxy, and that the proxy must be one
_sans peur et sans reproche_. And that this reparation made, the poor
spirit, according to the belief of the age, released from purgatorial
fires, might enter Paradise and reappear no more between the hours of
midnight and cock crowing to trouble the living.
“What an absurd story,” the sceptic may say. No doubt it is to us, but
a man must live in his own age, and there was nought absurd or
improbable to young Hubert in it all.
And when the weird tale was finished, and the hour of midnight tolled
boom! boom! boom! from the tower above, every stroke sent a thrill
through the heart of the youth. That dread hour, when, as men thought,
the powers of darkness had the world to themselves, when a thousand
ghosts shrieked on the hollow wind, when midnight hags swept through
the tainted air, and goblins gibbered in sepulchres.
Just then Hubert caught his father’s glance, and it made each separate
hair erect itself:
Like quills upon the fretful porcupine.
“Father,” cried the boy, “what art thou gazing at? what aileth thee? I
see nought amiss.”
Words came from the father’s lips, not in reply to his son, but as if
to some object unseen by all besides.
“Yes, unhappy ghost, I may dare thy livid terrors now. My son, thy
proxy, is by my side, pure and shameless, brave and trustworthy. He
shall carry thy sword to the holy soil and dye it ‘deep in Paynim
blood.’ Then thou and I may rest in peace.”
“Father, I see nought.”
“Not there, between those pillars?”
“What is it?”
“A dead man, with a sword wound in his open breast, which he displays.
His eyes live, yea, and the wound lives.”
“No, father, there is nothing.”
“Then go and stand between those pillars, and prove it to me to be
void.”
Hubert hesitated. He would sooner have fought a hundred boyish battles
with fist, quarterstaff, or even deadly weapons—but this—
“Ah, thou darest not. Nay, I blame thee not, yet thou didst say there
was nothing.”
Hubert could not resist that pleading tone in which the sire seemed to
ask release from his own delusion. He went with determined step, and
stood on the indicated spot.
“He is gone. He fled before thee. The omen is good. Thou shalt deliver
thy sire—let us pray together.”
Sire and son knelt until the first note of the matin song just before
daybreak (it was the month of May) broke the utterance of the father
and, we fear we must own it, the sleep of the son.
_Domine labia mea aperies
Et os meum annuntiabit laudem Tuam_.
Public-domain text, read in full here on John Shaqi.
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