For the child was not old enough to know that it was wrong to dislike
her father, while he was quite old enough to know that it was wrong
not to be fonder of his child.
“But you will get your own feet wet, my dear child,” said he, in quite
a different tone. “Come up here and sit by the fire, while I fetch
your goloshes. You have never seen my studio. I pass half my time
painting and smoking here when it is wet and I can’t get out.” He had
a palette on his thumb and a pipe in his mouth while he spoke. “You
don’t mind the smell of turpentine or tobacco, do you?”
“Oh, no, Mr. Rayner! But I won’t come in, thank you. I am at lessons
with Haidee,” said I.
“Happy Haidee! I wish I were young enough to take lessons; and yet, if
I were, I shouldn’t be old enough to make the best use of my time,”
said he, in a low voice, with mock-modesty that made me laugh.
He was leaning a long way out of window in the rain, and I had work to
do indoors; so, without saying anything more, I returned to the house
with my prize.
It was to his studio then that Sarah had taken his violin. I had never
heard of this studio before; but I knew that Mr. Rayner was very
careful about the condition of the stables, and I could imagine that
this two-windowed upper room, with its fire, must be a very nice place
to paint in--dry, warm, and light. Could this be where Mr. Rayner
slept? No; for in that case he would hardly have asked me to come up
and look at his painting. And I should not like to think that he had
made for himself a snug warm little home here while his family slept
in the damp vapors of the marsh at the bottom of the hill. But that
would not be like Mr. Rayner, I thought, remembering the pains he had
taken to provide a nice dry room just for me, the governess. Yet I
should have liked, in the face of Mr. Reade’s tiresome suspicions, to
be sure.
That night I was so anxious to find out whether Mr. Rayner did really
sleep out of the house, as he had been accused of doing, that I had
the meanness to leave my own bedroom door wide open, as well as that
at the bottom of the turret staircase, and listen for footsteps on the
ground-floor, and the sound of a key in the garden door through which
Sarah had taken the violin. But I heard nothing, though I was awake
until long after the rest of the household must have gone to bed. And
I felt almost as much relieved as if it had been my own father proved
innocent of a mean action imputed to him.
Public-domain text, read in full here on John Shaqi.
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