The House on the Moor, v. 1/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 1/3
Oliphant, Mrs. (Margaret)
Fiction
"Your last word!--ay, you will always have the last word," cried Colonel
Sutherland, this time indeed hearing imperfectly; "there must be some
mistake, I suppose. Never mind, we'll inquire into it later. You must
see me again, sergeant--I am going now to my young people. Good morning
to you, my friend--ask for me here to-morrow."
"Are the young gentlemen in these parts, Cornel?" said Kennedy, rising
with a little reluctance; "I said to mysel' the Cornel behooved to have
his own occasions here."
"Not my boys--my niece and nephew, people you never heard of," said the
Colonel, quickly. "Now, my man, good morning--I am pushed for
time--you'll come again to-morrow."
Thus urged, Kennedy had no resource but to obey, which he did, however,
very slowly, running over in his mind immediately all the "gentlemens'
families" of the district, with which he had any acquaintance, in a vain
endeavour to ascertain who could be the niece and nephew of his "old
Cornel." Kennedy, as it happened, had not been at his usual post in the
public room of the little inn on the previous night, and had
consequently no intimation of any dawn of new fortune on Mr. Horry, whom
he knew perfectly well, and at whose hands he had suffered contradiction
enough to give him some interest in the young man's fate. This
information, however, he would have been pretty sure to receive, but
that Colonel Sutherland had already sent for the landlady to give her
his orders for the day.
The Colonel was extremely frugal, almost parsimonious so far as his own
manner of living was concerned, but having set himself to devise some
pleasure for poor Susan, shut up all her life in Marchmain, the
extremest liberality which the circumstances would allow, was not too
much for his inclinations. The only vehicle possessed by the little inn
at Tillington was a double gig, a very homely conveyance, which the
Colonel had already ordered, and in which he proposed to take Susan
"somewhere," bringing her back to lunch with him. The kind old man
entered into the most minute directions about this lunch. He put
elaborate leading questions, in order to ascertain what the cuisine was
capable of, and consulted over puddings and tarts with the zeal of a
connoisseur. A sentimental French _chef_ who would have entered into the
sentiment of the occasion, would have delighted the Colonel. He wanted a
dainty meal of pretty little dishes, sweet and savoury, as much in
honour of Susan, as to please her youthful palate, and endeavoured so
earnestly to impress his wishes upon the homely innkeeper, that the idea
of some secret grandeur belonging to Mr. Horry and his sister impressed
itself more and more deeply upon that good woman's mind. She promised to
do her very best; with the greatest awe and impressment she left the
innocent and too trustful Colonel to study her cookery-book with
devotion, and to conceive impossible triumphs of culinary art. But art,
even in the kitchen, avenges itself upon those who neglect it.
Public-domain text, read in full here on John Shaqi.
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