The House on the Moor, v. 3/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 3/3
Oliphant, Mrs. (Margaret)
Fiction
Horace came upon Marchmain from behind, on an afternoon of May. The moor
was no wilderness at that season. The whins were burning under the
sunshine, the heather blooming purple and fragrant, thrusting its
flowery spires against the foot that disturbed their growth; and the
young seedlings, sown here and there in little clumps, waved their
delicate young leaves to the soft air, and glittered in the light with a
genial spring triumph over the intractable soil. Even the dark moorburns
and rivulets of water in the deep cuttings caught a grace from the sky,
and brightened over their brown surface with a gleam of the blue heavens
and white clouds above. Everything was sweet, and bright, and hopeful in
that dull waste of unproductive soil, which at other times could look so
dreary. The clump of firs on the hill-top looked down wistfully, no
longer weird spies, but gentle gazers upon the changed scene. But no
change had passed upon Marchmain. The house, if any thing, was a little
more lonely than of old, betraying unconsciously that some of the little
life it had, had ebbed out of it. Susan's flowerpots stood naked in the
window, with withered stalks of plants, long since dead, standing up
dead and dismal from the dry mould in which they had once grown; left
here by Peggy as a grim reminder to her master of the daughter--the only
chance of love and kindness which he had remaining in the world--whom he
had thrust remorselessly away; and with that calm sky declining towards
evening, the sun slanting westward, the home-going hour lengthening its
shadows over the long stretches of moorland, where by-and-bye a few
labouring men should cross the sunlight to cottages clustered somewhere
on the road, hid in the lower nooks of the hills, few objects more
desolate and solitary than the house of Marchmain could have been
imagined. Human step or human shadow was not near. The undisturbed
heather almost brushed against the step of the door. In most of the
windows the blinds were down, as though the heart within was too sick to
bear the light. This was how Horace found the house which had nursed his
childhood and imprisoned his youth.
Public-domain text, read in full here on John Shaqi.
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