The Hundred, and Other StoriesBrownell, Gertrude Hall
General
The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
"Well," said the landlady, exculpatingly, "we are all poor folks here,
ma'am. He mostly pays his rent--I don't ask much, but when he's behind
I'm not hard on him. He's a good lad," she went on, and as she was a
sizable woman, after a gesture of deferential apology she took a seat,
to support her in her view of lingering to angle with information
until she caught a little enlightenment. "A good lad, but that proud!
He thinks he'll be as rich as a dook some day, with his little fiddle!"
She shook her head in compassion and chuckled fatly over a household
joke of long standing. "He's all right in his head, ma'am, except on
that point. A poor lad that plays in the streets is none so likely to
pick up a fortune. And such tunes as he plays! I've always been told
I'd an uncommon ear for a catch, but to catch head or tail of them is
beyond me!"
"He plays in the streets!"
"Yes, poor Dook--come rain, come shine. Sometimes he has a good day,
sometimes a bad one; but times is hard--it's not very good at best.
He's not one of them pretty-impudent Italian boys with wheedling brown
velvet eyes. He looks too scornful, and despises folks more than is for
his own good. I have felt hurt at it myself, ma'am, and I may say I'm
not touchy. When I've known that he was a bit hard up and he looked
hollow, and I've asked him in neighborly to have a bite with us, he
has answered me almost as if he hated me for it--and gone hollow."
His mother drew in her breath sharply.
"Might you be a friend of his?" asked the landlady. "Once when he was
sick abed, and I came up to say a good word, he got sociabler than
usual, and spoke of a lady, a lady of quality, who'd heard him play--I
thought likely it was before he came here with his coat so seedy--a
lady who thought he was very fine. Perhaps I don't understand about
fiddle-playing, and he is all he says. Might you be the lady?"
"Yes, yes, yes!" said Emmie, scarcely knowing what she said.
The landlady looked much interested. "Well, now, I thought as much,
for I don't think he's any one in the world belonging to him. He's a
good lad, ma'am," she said again, with a good-natured impulse to make
hay for a fellow-creature while this, possibly a sun, was shining.
"He deserves better than he gets, if I do say it. He works at them
music-books for hours sometimes, at night, till the man below is fit
to go mad. But I tell him I can't put out a lodger that pays more
frequent than he, and when I speak to Drastus he says he'll leave,
though he should have to sleep on the pavement--he must play when he
pleases. He says that it's because he can't play as other fiddle-men
do, from a book and in a particular way, that he can't get nothing to
do but play in the streets. So he must learn, and learn he will, and
he scrapes away like a meeting of cats on the roof. I'm sorry he's
out, ma'am. What did you want with him, now? Couldn't I give your
message--or must you wait yourself?"
"I will wait--I will wait."
Public-domain text, read in full here on John Shaqi.
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