Historical fiction; Russia -- Social conditions -- 1801-1917 -- Fiction
“When I received a letter from those dear little souls, while passing
through Berlin, I only then realized how much I loved them. It was
very, very painful, getting that first little letter. How melancholy
they had been when they saw me off! For a month before, they had been
talking of my departure and sorrowing over it; and at the waterfall, of
an evening, when we parted for the night, they would hug me so tight
and kiss me so warmly, far more so than before. And every now and then
they would turn up one by one when I was alone, just to give me a kiss
and a hug, to show their love for me. The whole flock went with me to
the station, which was about a mile from the village, and every now and
then one of them would stop to throw his arms round me, and all the
little girls had tears in their voices, though they tried hard not to
cry. As the train steamed out of the station, I saw them all standing
on the platform waving to me and crying ‘Hurrah!’ till they were lost
in the distance.
“I assure you, when I came in here just now and saw your kind faces (I
can read faces well) my heart felt light for the first time since that
moment of parting. I think I must be one of those who are born to be in
luck, for one does not often meet with people whom one feels he can
love from the first sight of their faces; and yet, no sooner do I step
out of the railway carriage than I happen upon you!
“I know it is more or less a shamefaced thing to speak of one’s
feelings before others; and yet here am I talking like this to you, and
am not a bit ashamed or shy. I am an unsociable sort of fellow and
shall very likely not come to see you again for some time; but don’t
think the worse of me for that. It is not that I do not value your
society; and you must never suppose that I have taken offence at
anything.
“You asked me about your faces, and what I could read in them; I will
tell you with the greatest pleasure. You, Adelaida Ivanovna, have a
very happy face; it is the most sympathetic of the three. Not to speak
of your natural beauty, one can look at your face and say to one’s
self, ‘She has the face of a kind sister.’ You are simple and merry,
but you can see into another’s heart very quickly. That’s what I read
in your face.
“You too, Alexandra Ivanovna, have a very lovely face; but I think you
may have some secret sorrow. Your heart is undoubtedly a kind, good
one, but you are not merry. There is a certain suspicion of ‘shadow’ in
your face, like in that of Holbein’s Madonna in Dresden. So much for
your face. Have I guessed right?
“As for your face, Lizabetha Prokofievna, I not only think, but am
perfectly _sure_, that you are an absolute child—in all, in all, mind,
both good and bad—and in spite of your years. Don’t be angry with me
for saying so; you know what my feelings for children are. And do not
suppose that I am so candid out of pure simplicity of soul. Oh dear no,
it is by no means the case! Perhaps I have my own very profound object
in view.”
Public-domain text, read in full here on John Shaqi.
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