The Imported Bridegroom, and Other Stories of the New York GhettoCahan, Abraham
General
The Imported Bridegroom, and Other Stories of the New York Ghetto
Cahan, Abraham
Jews -- New York (State) -- New York -- Fiction; United States -- Emigration and immigration -- Fiction
Flora was going to protest and to threaten to leave without him, but
she could neither speak nor stir from her seat. A nightmare of
desolation and jealousy choked her--jealousy of the Scotchman's book,
of the Little-Russian shirt, of the empty tea-glasses with the slices
of lemon on their bottoms, of the whole excited crowd, and of Shaya's
entire future, from which she seemed excluded.
A PROVIDENTIAL MATCH
He is still known among his townspeople as Rouvke Arbel. Rouvke they
call him, because this name, in its more respectful form of Rouven,
was bestowed upon him on the eighth day of his life, at the ceremony
which initiated him into Israel. As to the nickname of Arbel, which is
Yiddish for "sleeve," he is indebted for it to the apparently
never-to-be-forgotten fact that before he came to America, and when he
still drove horses and did all sorts of work for Peretz the distiller,
he was in the habit of assigning to the sleeves of his sheepskin coat
such duties as generally devolve upon a pocket-handkerchief.
That was only about four years ago; and yet Rouvke is now quite a
different young man in quite a different coat and with a handkerchief
in its side-pocket. The face is precisely the same: the same
everlasting frown, the same pockmarks, hollow yet ruddy cheeks, snub
nose, and little gray eyes, at once timid and sly. But for all that,
such is the dissimilarity between the Rouvke of four years ago and the
Rouvke of to-day that recently, when his mother, who still peddles
boiled potatoes in Kropovetz, Government of Kovno, had been surprised
by a photograph of her son, her first impulse was to spit at the
portrait and to repudiate it as the ungodly likeness of some unknown
gentile. But then this photograph, which, by the way, Rouvke had taken
by mere chance and for the sole reason that it was no use trying to
get any cash from the Bowery photographer, to whom he had sold, on the
installment plan, "a pair of pants made to order"--this photograph
fully establishes its original's claim of not being a "greener" in the
New World. For this is what the portrait reveals. Rouvke's hair is now
entirely free from the pair of sidelocks, or _peieths_, which dangled
over his ears when he first set foot on American soil; it is parted in
the middle and combed on either side in the shape of a curled
ostrich-feather. He wears a collar; and this collar is so high and so
much below the size of his neck that it gives you the uncomfortable
idea of its owner having swallowed the handle of the whip with which
he used to rule over Peretz the distiller's mare. The flannel
muffler, which seemed never to part company with him while he lived in
Kropovetz, has been supplanted by a gay necktie, and the sheepskin by
a diagonal "cut-away."
Public-domain text, read in full here on John Shaqi.
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