His auditors were now listening with conscious attention, some of the younger men affecting an absorbed mien or interrupting the reader with unnecessary questions. Shaya's eyes were traveling between Flora and the Scotchman's audience. "Did you ever see such a beautiful and stylish young lady?" he seemed to be saying. "She is my bride--mine and nobody else's in the world," and, "Look at these great men, Flora--I am their chum." Presently, however, he became engrossed in the reading; and only half-conscious of Flora's presence, he sat leaning forward, his mouth wide open, his face rapt, and his fingers quietly reproducing the mental gymnastics of Comte's system in the air. The young woman gazed about her in perplexity. The Scotchman and his reading inspired her with respect, but the rest of the company and the _tout ensemble_ of the scene impressed her as the haunt of queer individuals, meeting for some sinister purpose. It was anything but the world of intellectual and physical elegance into which she had dreamed to be introduced by marriage to a doctor. Any society of "custom peddlers" was better dressed than these men, who appeared to her more like some of the grotesque and uncouth characters in Dickens's novels than an assemblage of educated people. For a moment even Shaya seemed a stranger and an enemy. Overcome by the stuffy, overheated atmosphere of the misshapen apartment, she had a sense of having been kidnaped into the den of some terrible creatures, and felt like crying for help. Next she was wondering what her Shaya could have in common with these shabby beings and what it all had to do with becoming a doctor and riding in a buggy. "Shaya!" she whispered, tugging him by the coat-sleeve. "Just one moment, Floraly," he begged her. "Ah, it's so deep!" A discussion engaged itself. The Russians fell to greedily. One of them, in particular, a young man with a dignified bass, was hateful to Flora. She could not have told you why, but his voice, coupled with the red embroidery of his Little-Russian shirt-front, cut her to the quick. The room was full of smoke and broken English. Shaya was brimful of arguments and questions which he had not the courage to advance; and so he sat, now making a vehement gesture of despair at somebody else's absurdities, now nodding violent approval, and altogether fidgeting about in a St. Vitus's dance of impotent pugnacity. "Shaya, it is getting late, and papa"-- "One second, do please, Floraly, may you live long," he implored her, with some irritation; and taking the book from the Scotchman's hand, he fell to turning over its leaves in a feverish search of what struck him as a misinterpreted passage.