Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"He meant to be kind," said Betty, "but he asked a lot of questions,
and I don't want to know him. I like you better. Isn't there anywhere
we can be quiet, and talk? I'm all alone here in Paris, and I do want
help. And I'd rather you'd help me than anyone else. Can't I come home
with you?"
"No you can't."
"Well then, will you come with me?--not to the hotel he told me of,
but to some other--you must know of one."
"What will you do if I don't?"
"I don't know," said Betty very forlornly, "but you _will_, won't you.
You don't know how tired I am. Come with me, and then in the morning
we can talk. Do--do."
The other woman took some thirty or forty steps in silence. Then she
asked abruptly:
"Have you plenty of money?"
"Yes, lots."
"And you're an artist?"
"Yes--at least I'm a student."
Again the woman reflected. At last she shrugged her shoulders and
laughed. "Set a thief to catch a thief," she said. "I shall make a
dragon of a chaperon, I warn you. Yes, I'll come, just for this one
night, but you'll have to pay the hotel bill."
"Of course," said Betty.
"This _is_ an adventure! Where's your luggage?"
"It's at the station, but I want you to promise not to tell that
Temple man a word about me. I don't want to see him again. Promise."
"Queer child. But I'll promise. Now look here: if I go into a thing at
all I go into it heart and soul; so let's do the thing properly. We
must have some luggage. I've got an old portmanteau knocking about.
Will you wait for me somewhere while I get it?"
"I'd rather not," said Betty, remembering the Germans and Nini.
"Well then,--there'd be no harm for a few minutes. You can come with
me. This is really rather a lark!"
Five minutes' walking brought the two to a dark house. The woman rang
a bell; a latch clicked and a big door swung open. She grasped Betty's
hand.
"Don't say a word," she said, and pulled her through.
It was very dark.
The other woman called out a name as they passed the door of the
concierge, a name that was not Conway, and her hand pulled Betty up
flight after flight of steep stairs. On the fifth floor she opened a
door with a key, and left Betty standing at the threshold till she had
lighted a lamp.
Then "Come in," she said, and shut the door and bolted it.
The room was small and smelt of white rose scent; the looking-glass
had a lace drapery fastened up with crushed red roses; and there were
voluminous lace and stuff curtains to bed and window.
"Sit down," said the hostess. She took off her hat and pulled the
scarlet flowers from it. She washed her face till it shewed no rouge
and no powder, and the brown of lashes and brows was free from the
black water-paint. She raked under the bed with a faded sunshade till
she found an old brown portmanteau. Her smart black and white dress
was changed for a black one, of a mode passée these three years. A
gray chequered golf cape and the dulled hat completed the
transformation.
"How nice you look," said Betty.
Public-domain text, read in full here on John Shaqi.
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