Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
When the boxes were unpacked, and Betty had pinned up a few prints and
photographs and sketches and arranged some bright coloured Liberty
scarves to cover the walls' more obvious defects--left by the removal
of the last tenant's decorations--when flowers were on table and
piano, the curtains drawn and the lamps lighted, the room did, indeed,
look "like a home."
"We'll have dinner out to-night," said Paula, "and to-morrow we'll go
marketing, and find you a studio to work at."
"Why not here?"
"That's an idea. Have you a lace collar you can lend me? This is not
fit to be seen."
Betty pinned the collar on her friend.
"I believe you get prettier every minute," she said. "I must just
write home and give them my address."
She fetched her embroidered blotting-book.
"It reminds one of bazaars," said Miss Conway.
* * * * *
57 Boulevard Montparnasse.
My dear Father:
This is our new address. Madame Gautier's tenant wanted to keep on
her flat in the Rue de Vaugirard, so she has taken this one which
is larger and very convenient, as it is close to many of the best
studios. I think I shall like it very much. It is not decided yet
where I am to study, but there is an Atelier in the House for ladies
only, and I think it will be there, so that I shall not have to go
out to my lessons. I will write again as soon as we are more
settled. We only moved in late this afternoon, so there is a lot to
do. I hope you are quite well, and that everything is going on well
in the Parish. I will certainly send some sketches for the Christmas
sale. Madame Gautier does not wish me to go home for Christmas; she
thinks it would interrupt my work too much. There is a new girl, a
Miss Conway. I like her very much. With love,
Yours affectionately,
E. Desmond.
She was glad when that letter was written. It is harder to lie in
writing than in speech, and the use of the dead woman's name made her
shiver.
"But I won't do things by halves," she said.
"What's this?" Paula asked sharply. She had stopped in front of one of
Betty's water colours.
"That? Oh, I did it ages ago--before I learned anything. Don't look
at it."
"But _what_ is it?"
"Oh, only our house at home."
"I wonder," said Paula, "why all English Vicarages are exactly alike."
"It's a Rectory," said Betty absently.
"That ought to make a difference, but it doesn't. I haven't seen an
English garden for four years."
"Four years is a long time," said Betty.
"You don't know how long," said the other. "And the garden's been
going on just the same all the time. It seems odd, doesn't it? Those
hollyhocks--the ones at the Vicarage at home are just like them. Come,
let's go to dinner!"
CHAPTER XII.
THE RESCUE.
Public-domain text, read in full here on John Shaqi.
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