Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
So Betty had never come to the Rue Vaugirard! The aunt must somehow
have heard the news--perhaps she had called on the way to the
train--she had returned to the Bête and Betty now was Heaven alone
knew where. Perhaps at Long Barton. Perhaps in Paris, with some other
dragon.
Vernon for a day or two made a point of being near when the
studios--Julien's, Carlorossi's, Delacluse's, disgorged their
students. He did not see Betty, because she was not studying at any of
these places, but at the Atelier Bianchi, of which he never thought.
So he shrugged his shoulders, and dined again with Lady St. Craye, and
began to have leisure to analyse the emotions with which she inspired
him. He had not believed that he could be so attracted by a woman with
whom he had played the entire comedy, from first glance to last
tear--from meeting hands to severed hearts. Yet attracted he was, and
strongly. He experienced a sort of resentment, a feeling that she had
kept something from him, that she had reserves of which he knew
nothing, that he, who in his blind complacency had imagined himself to
have sucked the orange and thrown away the skin, had really, in point
of fact, had a strange lovely fruit snatched from him before his blunt
teeth had done more than nibble at its seemingly commonplace rind.
In the old days she had reared barriers of reserve, walls of reticence
over which he could see so easily; now she posed as having no
reserves, and he seemed to himself to be following her through a
darkling wood, where the branches flew back and hit him in the face so
that he could not see the path.
"You know," she said, "what makes it so delightful to talk to you is
that I can say exactly what I like. You won't expect me to be clever,
or shy, or any of those tiresome things. We can be perfectly frank
with each other. And that's such a relief, isn't it?"
"I wonder whether it would be--supposing it could be?" said he.
They were driving in the Bois, among the autumn tinted trees where the
pale mist wreaths wandered like ghosts in the late afternoon.
"Of course it could be; it is," she said, opening her eyes at him
under the brim of her marvel of a hat: "at least it is for simple folk
like me. Why don't you wear a window in your breast as I do?"
She laid her perfectly gloved hand on her sables.
"Is there really a window? Can one see into your heart?"
"_One_ can--not the rest. Just the one from whom one feareth nothing,
expecteth nothing, hopeth nothing. That's out of the Bible, isn't it?"
"It's near enough," said he. "Of course, to you it's a new sensation
to have the window in your breast. Whereas I, from innocent childhood
to earnest manhood, have ever been open as the day."
"Yes," she said, "you were always transparent enough. But one is so
blind when one is in love."
Her calm references to the past always piqued him.
"I don't think Love is so blind as he's painted," he said: "always as
soon as I begin to be in love with people I begin to see their
faults."
Public-domain text, read in full here on John Shaqi.
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