The Independence of ClaireVaizey, George de Horne, Mrs.
General
The Independence of Claire
Vaizey, George de Horne, Mrs.
Love stories; Mothers and daughters -- Fiction; Teachers -- Fiction; Young women -- Fiction
"Teaching? Oh, no. As a rule I love it, and take a pride in inventing
new ways to help the girls. It's the all work and no play that gets on
one's nerves, and the feeling of being cut off from the world by an
impassable barrier of something that really doesn't exist. People have
a prejudice against school-mistresses. They think they are dull, and
proper, and pedantic. If they want to be complimentary they say, `You
don't look like a school-mistress.' You did yourself, not two minutes
ago. But really and truly they are just natural, everyday girls,
wanting to have a good time in their leisure hours like other girls.
You can't think how happy I was to come here to-night and have the
chance of putting on pretty things again."
Janet Willoughby put her hand on Claire's arm and piloted her deftly
through the crowd.
"Now," she said firmly, "you just stay here, and I'll bring up all the
nicest men in the room, and introduce them in turns. You _shall_ have a
good time, and you are wearing the very prettiest things in the room--if
it's any comfort to you to hear it. We won't talk about school any
more. To-night is for fun!"
The next hour passed on flying feet, while Claire sat the queen of a
little court, and Janet Willoughby flitted to and fro, bringing up fresh
arrivals to be introduced, and drafting off the last batch to other
parts of the crowded rooms. All the men were agreeable and amusing, and
showed a flattering appreciation of their position. Claire felt no more
interest in one than in another, but she liked them all, and felt a
distinct pleasure in talking to men again after the convent-like
existence of the last months. She was pleased to welcome a new-comer,
smiled unconcerned at a farewell.
From time to time the buzz of voices was temporarily broken by the crash
of the piano, but always before the end of each performance it rose
again, and steadily swelled in volume. In truth, the excellence of the
performance was no great inducement to listen, and Mrs Willoughby's
forehead showed a pucker of anxiety. She drifted across to Claire's
corner, and spoke a few kindly words of welcome, which ended in a half
apology.
"I am sorry the music is so poor. It varies so much on different
nights. Sometimes we have quite a number of good singers, but to-night
there are none. I am afraid so much piano grows a little boring."
She looked in the girl's face with a quick inquiry.
"Do _you_ sing?"
"No-o." The word seemed final, yet there was an unmistakable hesitation
in Claire's voice. Mrs Willoughby's glance sharpened.
"But you do something? Play? Recite? What is it? My dear, I should
be so grateful!"
"I--whistle!" confessed Claire with a blush, and a little babble of
delight greeted the words. Every one who heard hailed the chance of a
variety in the monotonous programme. Mrs Willoughby beamed with all
the relief of a hostess unexpectedly relieved of anxiety.
Public-domain text, read in full here on John Shaqi.
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