The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
During the Visigothic domination, some modifications must have been
introduced in the form and number of the arms used, probably owing to
the tradition of the Gothic race, and the Byzantine or Oriental
influences, which they accept in every sphere; but the names and
explanation of these weapons, given by San Isidoro in his "Etimologies,"
lib. xviii., indicate that the Roman system was adopted as a general
rule. The chief modification which may be established for the Visigoths,
and the greater part of the European races, is that from their time the
breast-plates and metallic pieces, which served as a protection for the
legs and arms, fell into disuse, and were substituted by coats of mail
or chain armour. This is deduced from San Isidoro's not describing
these metallic plates; although he gives numerous details on different
sorts of coats of mail, including those made of coarse stuffs woven in
Silisia. At this time, the use of planks or boards to protect the body
was abandoned, and did not prove acceptable until the end of the 13th
century, when they again became very generally adopted in Spain.
During the 13th and 14th centuries, the Spanish Christians continued to
use the same weapons as in other European states. The history of Spanish
arms, in like manner with its artistic history and civilization, is
similar to that of other nations; it frequently occurs that objects of
this kind are classified with those of other countries, the only
exceptions to this general rule being those which result from the
Moorish conquest and influence.
The Arabs, after they took possession of Spain at the beginning of the
8th century, imported, with their arts and industries, special arms and
weapons, the greater part of which were copied from Persian models;
their swords, helmets, and shields deserve special attention; in other
weapons the difference is not so great; and, indeed, in the two first it
is chiefly confined to their decoration.
None of the arms made by the Moors have been so justly celebrated, or so
delicately worked as their swords. An Arabic author, El Camus, says the
Arabs had as many as 1000 names to designate swords. In the first years
of the Hegira, their historians praise the swords made at Yemen, and in
India; later on, those of Syria; Damascus was, however, the great centre
where arms of all kinds were made. Several interesting Arabic
manuscripts are known on this subject, such as the _Treatise on steel
blades_ in the library of Gotha, that on _Different kinds of arms, with
the properties of lances, swords, and horses_, in the Library of Leyden,
and numerous articles by Oriental scholars, which have appeared in the
"Journal Asiatique," and other reviews. The manufacture in Syria decayed
in the 15th century; other centres gained in importance, specially those
in Egypt, Morocco, and Spain, which had rivalled the East in this
industry during the Middle Ages.
Public-domain text, read in full here on John Shaqi.
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