The huge rafters of cedar, carved into strange and emblematic arabesques, were supported, at intervals, by a double row of pillars of the most grotesque shapes. On the walls were hung arras, on which were painted rude scenes of battle and of sacrifice, with hieroglyphic records of history, as well as choice maxims of virtue and policy, selected from the compositions of that king, who had finished, and given name to the habitation, long since founded by his ancestors. It was lighted in a manner equally rare and magnificent. A considerable space in the further or western wall, from which the tapestry was drawn aside, was occupied by stone mullions of strange forms, between which were fixed large translucent blocks of alabaster, such as we now behold in the church windows of Puebla de los Angelos. Upon these were painted many incomprehensible figures, which would have deformed the beauty of the stone, but for the brilliancy and delicacy of their hues. As it was, the strong glare of the evening sun, falling upon this transparent wall, came through it, with the mellow lustre and harmonious tints of a harvest-moon, shedding a soft but sufficient light over the whole apartment, making what was harsh tender, and what was lovely almost divine.[7] [Footnote 7: Windows of this rich material were discovered in a Roman villa at Pompeii. The effect of a lamp in an alabaster vase will be familiar to the reader.] On the left hand, were several narrow doors, opening upon a garden, which was seen, sometimes, when the breeze stirred aside the curtains that defended them; on the right, were others leading to certain chambers, and carefully protected by a similar drapery. The floor of this hall of audience was covered with mats stained with various colours. At the farther extremity of the apartment stood a group of Spanish cavaliers, surrounding a platform of slight elevation, on which, sumptuously dressed, and leaning upon a _camoncillo_, or chair of state, stood Hernan Cortes. At his right hand, sitting and supported by two gallant cavaliers, was his royal god-son, Ixtlilxochitl, now Don Hernan Cortes, the king of Tezcuco;--a young man of mild aspect; at whose feet sat his younger and more manly brother, Suchel, from whom was afterwards derived one of the noble families of New Spain. On the left of the general, were two Indians of a far nobler presence, and known by the singular loftiness of their plumes, if not by the commanding sternness of their visages, to be Tlascalans of high degree. They were, in fact, the military chieftains Xicotencatl and Chichimecatl, men of renown not only among their tribes, but the Spaniards. Behind each stood his page, or esquire, bearing the great shield of ceremony, whereon were emblazoned, in native heraldic devices, the various exploits of his master. Besides these distinguished barbarians, there were others of note among the cavaliers, at the side of the platform.