The Influence of the Organ in History: Inaugural Lecture of the Department of the Organ in the College of Music of Boston UniversityBuck, Dudley
History
The Influence of the Organ in History: Inaugural Lecture of the Department of the Organ in the College of Music of Boston University
Buck, Dudley
Organ (Musical instrument) -- History
Mr. Thorp's two books have from time to time been recommended by
various eminent vocal specialists as giving practical aid and
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are free from any _biased "system" or "discovery."_
=TREATISE ON THE TRAINING OF BOYS' VOICES.= With Examples and Exercises
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=GRADUATED COURSE OF EXERCISES FOR BOY CHORISTERS.= With Piano
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---- Ditto, Boy's Voice Part only, 1s. _net_.
=SIX SPIRITUAL SONGS FOR UNACCOMPANIED CHORUS=, with Piano Accomp. (for
Practice). By RUTLAND BOUGHTON. In one vol. Roy. 8vo, 2s. 6d. _net_.
The songs are also issued separately.
=VOCAL EXERCISES FOR CHOIRS AND SCHOOLS.= By DR. WESTBROOK. Post 8vo,
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=THE CENTRAL POINT IN BEAUTIFUL VOICE PRODUCTION.= By H. TRAVERS ADAMS,
M.A. Cloth, 2s. 6d. _net_ (paper, 1s. 6d. _net_).
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=CHAMBER MUSIC AND ITS MASTERS IN THE PAST AND IN THE PRESENT.= By DR.
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H. ABRAHAM. With Plates and Music Illustrations. Crown 8vo, cloth, 15s.
_net_.
"Mr. Abraham has brought the work up to date and written several
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=ORGAN.= By C. F. ABDY-WILLIAMS, M.A., Mus.Bac. Told in Nine Chapters.
Thirty-eight Illustrations and Frontispiece. Illustrations of two
Instruments found at Pompeii; F. W. Galpin's Hydraulus; Organ Builders;
Stops; Technical Terms; Bibliography and Chronological List of Organ
Specifications, 21s. _net_.
=ENGLISH MUSIC= (1604-1904). Seventeen Lectures delivered at the Music
Loan Exhibition of the Worshipful Company of Musicians. By T. L.
SOUTHGATE, W. H. CUMMINGS, H. WATSON, E. MARKHAM LEE, J. FINN, SIR F.
BRIDGE, A. S. ROSE, A. H. D. PRENDERGAST, F. J. SAWYER, G. F. HUNTLY, D.
J. BLAIKLEY, REV. F. W. GALPIN, W. W. COBBETT, J. E. BORLAND, A. H.
LITTLETON and SIR E. CLARKE. Frontispiece and 115 Illustrations
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=MINSTRELSY.= By EDMONDSTOUNE DUNCAN. The whole body of Secular Music
that has stood the test of time and which can be called national. Early
Gleemen, the Minstrels (church and social), Troubadours, the Tudor
period, the great Elizabethanists, etc. Pp. xvi, 337, 16s. _net_.
Public-domain text, read in full here on John Shaqi.
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