When Gypo turned to the left past the lamp he came into a narrow
street in which there were no houses. On the right-hand side there was
a high wall, like a barrack wall. It enclosed a big goods yard
belonging to a manufactory, where mineral waters or something of that
kind were made. On the other side of the street there was no wall at
all. The foundations of houses still remained. Here and there, a
doorway, a chimney stack, or the brick framework of a window, stood up
in a ghastly fashion. Beyond that there was an open space full of
refuse, mounds of earth, bricks, pots, old clothes. The street itself
was a network of puddles. In order to avoid wetting himself to the
knees, Gypo had to walk along the sloping bank of clay where the
houses had crumbled.
It was a dreary sight. It almost shouted its experiences, and if it
had shouted, it would have talked in that endless, loud, babbling
scream in which maniacs and demented creatures utter their words. It
was alive in that peculiar way in which ruins are alive at night, when
the earth is covered with darkness and the living sleep.
But Gypo was not sensitive. For him, the street, with its dirt and its
squalor, was a savage sauce to whet his appetite for the riotous feast
of . . . He strode rapidly. He jumped from mound to mound, now
slipping with a curse, now catching a loose brick in some piece of
wall to steady himself. Now and again he heard a “hist” from the
opposite wall of the street, where some woman, old and decrepit,
sought the darkness so that her ravaged figure might escape the
drunken eyes of some passionate fellow seeking a fool’s pleasure.
These noises, croaks uttered by damned souls, sounds so tremendously
horrid to the innocent mind, made no impression on Gypo. To him they
were merely noises, expressions of everyday life.
Once he recognized one of the women who took a pace forward from her
position and put a wrinkled hand to her brow to look at him.
“Ho! Blast yer sowl, Maggie Casey,” he muttered, “aren’t ye dead yet?”
He chuckled with laughter as he heard her blasphemous rejoinder.
As he approached the far end of the street the silence lessened. He
heard whisperings and murmurs, snatches of distant song, sounds of
footfalls, strains of music. These sounds acted on him like
battle-cries. He almost broke into a run as he came gradually nearer
to the volume of sound. At last he dashed under an old archway and he
was in the next street. The medley of sound was all about him. On his
left-hand side stretched the long, low streets of brothels, entwined
like webwork among the ruins of what was once a resort of the nobility
of eighteenth-century Dublin.
Public-domain text, read in full here on John Shaqi.
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