The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"Harper, Charles G. (Charles George)
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The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"
Harper, Charles G. (Charles George)
Ingoldsby, Thomas, 1788-1845. Ingoldsby legends; Kent (England) -- Description and travel
Tappington has again passed away from the Barhams. Ingoldsby's
son, the Reverend Richard Harris Dalton Barham, Vicar of Lolworth,
Cambridgeshire, resigned that living in 1876, and retired to Dawlish,
South Devon, where he died in 1886; but considerably earlier than that
date he had agreed, having no children, to sell the property and divide
the proceeds with his two sisters. This was accordingly done.
Although the scenery is so sweetly beautiful, the soil is said to be
very poor--mostly unfertile red earth, mixed with great quantities of
flints, the rest chalk. A great extent of the property is still coppice
and scrubwood. An advertisement of 1890, offering the place to be let,
is interesting:
FARM.--KENT.--Tappington Everard, Denton, near Canterbury, comprising
Homestead, with Picturesque Residence (formerly occupied by the Rev.
R. H. Barham, author of the _Ingoldsby Legends_) and about 245 Acres
of Land, of which 144 Acres are Pasture, and 101 Acres Arable. Rent
£220. Early possession may be had.--For terms and further particulars
apply to Messrs. Worsfold & Hayward, Land Agents, Dover, and 80,
Cannon Street, London, E.C.
CHAPTER VI
ROMNEY MARSH
The scene now changes to Romney Marsh. It was in 1817, in his
twenty-ninth year, that Barham came to this recondite region,
the Archbishop of Canterbury having collated him to the rectory
of Snargate, with which went at that time, by some mysterious
ecclesiastical jugglery that does not concern us, the curacy of the
parish of Warehorne. He lived by preference there, rather than in the
malarious marsh itself, at Snargate, and thus the vicarage house that
stands, amid a recent melancholy plantation of larches, to the left
of the road on entering the village, has its interest, for we may
suppose that in it he lived, although, to be sure, it has undergone
alterations, and its stuccoed abominations and feeble attempts at
Gothic design must be later than his day. It is a disappointing house
to the literary pilgrim who loves his Barham--gaunt and dismal-looking
as you pass it; but the site is interesting, for we must by no means
forget that it was here, driven to it by the weariness of being
confined to the house after breaking his leg in a gig accident, in
1819, that he turned to literary composition. A novel called _Baldwin_
was the result. It was published anonymously, and was not--nor, as a
perusal of it satisfies one, did it deserve to be--a success. He was
only serving his apprenticeship to letters, and had not yet discovered
himself. That he speedily improved upon this first effort becomes
evident in his succeeding work, begun immediately after the completion
of the first. This, partly written here, was the novel of _My Cousin
Nicholas_, a work of splendid and rollicking humour now undeservedly
forgotten. Before he had finished the manuscript a change came over his
professional prospects, for in 1821 he was induced to apply for a minor
canonry of St.
Public-domain text, read in full here on John Shaqi.
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