"Heavens!" he murmured. "Are there phantoms in the air? What does it
mean? This is the second time--my own song--the foolish old song--my
own air--the foolish, tinkling air that they used to like! And the
voice--I remember the voice--whose voice is it? I remember the
voice--whose voice is it?"
He looked round him again, at the pictures, as if to find among them
the face he sought. The pictures showed all the life of the Past; the
ball-room with the dancers; the sports of the field; the drive in the
afternoon, the ride in the morning; the bevy of girls; the soldiers and
the sailors; the streets crowded with people; the vile slums and the
picturesque blackguardism of the City--but not the face he wanted. Then
he left off looking for the singer, and began to think of the faces
before him.
"On every face," he said, "there is unsatisfied desire. Yet they are
the happier for that very dissatisfaction. Yes--they are the happier."
He paused before a painted group of street children; some were playing
over the gutter; some were sitting on door-steps, carrying babies as
big as themselves; one was sucking a piece of orange-peel picked up on
the pavement; one was gnawing a crust. They were all ragged and half
starved. "Yet," said the Arch Physician, "they are happy. But we have
no children now. In those days they could paint and draw--and we have
lost the Art. Great heavens!" he cried, impatiently, "we have lost
every Art. Cruel! cruel!" Then from within there broke upon his ears a
strain of music. It was so long since he had heard any music that at
first it took away his breath. Wonderful that a mere sound such as that
of music should produce such an effect upon a man of science! "Oh," he
sighed, heavily, "we have even thrown away that! Yet--where--where does
the music come from? Who plays it?"
While he listened, carried away by the pictures and by the music and
by his own thoughts to the Past, his mind full of the Past, it did not
surprise him in the least that there came out from the door between the
Gallery and the Museum a young lady belonging absolutely to the Past.
There was no touch of the Present about her at all. She did not wear
the regulation dress; she did not wear the flat cap.
"It is," said Dr. Linister, "the Face that belongs to the Voice. I know
it now. Where did I see it last? To whom does it belong?"
Public-domain text, read in full here on John Shaqi.
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