The Inquisition : $b a political and military study of its establishmentNickerson, Hoffman
History
The Inquisition : $b a political and military study of its establishment
Nickerson, Hoffman
Albigenses; Christian heresies -- History -- Middle Ages, 600-1500; Inquisition; Prohibition
Furthermore, the appearance of the troubadour poetry in Southern
Gaul is still another fact proving that the Dark Ages were not a
murder but a sleep. The foolish historians of the last generation who
attributed the vigour and the chivalric romance of the Middle Ages
to an infusion of “Teutonic” blood, got a hard knock when Belloc[7]
noted that after the Dark Ages a comparatively high civilization
expressing itself in poetry full of the “romantic” idealization of
woman arose in precisely one of the districts least affected by
the handfuls of barbarian auxiliary troops of the fifth and sixth
century. The soul of Europe was not moulded anew by the barbarians
of the northern forests. That soul fell asleep, as it were, from
weariness, and then having slept, it awoke and sang.
The courtly fashion set by the troubadours overspread Christendom.
Indeed, it became a characteristic of the later twelfth century, as
we saw in the last chapter. Treitschke has a lively passage on the
“chivalrous, polished” time of the Hohenstaufen in Germany, “the
age of gallantry and the Minnesingers, quite distinctly feminine in
its universal attempt to adorn itself with womanly graces,”[8] in
contrast to the harsher time which had preceded it. But the fact that
the new fashion so quickly became European must not blind us to the
fact that it began in Languedoc. The troubadour poetry is already
fully developed in William Count of Poitiers and Duke of Aquitaine,
who was born in 1071. The first Hohenstaufen king did not reign over
Germany until 1138, and it was Count William’s granddaughter Eleanor,
Queen to Henry II, who first brought the cultivation of Provence to
England about the middle of the twelfth century.
Even in the troubadours, however, the near savagery of the Dark Ages
had been merely overlaid and not destroyed. Vivid memories of a time
at once feeble and gross swelled up in them sometimes. One poet,
that Sordello whose name Dante and Browning have combined to keep
alive, when singing the death of a brave knight, amiably suggests
that a long list of coward princes would do well to eat of the dead
man’s heart to better their courage! The idea was familiar to our Red
Indians.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account