barricade. But meantime the Regulars had advanced, and, therefore, the enemies were at one moment within 40 paces of each other, though, being in different streets, they were unconscious of each other's near vicinity. Both parties seemed, as they well might, thoroughly at home, the people, whatever might be their secret sympathies, showing a decent appearance, at least, of impartiality to all men with arms in their hands, and yet in a few minutes or seconds--for there was now no doubt that they were about to fight--everybody was on the _qui vive_, getting ready to escape if necessary. The extraordinary feature of these Paris street fights is that many of them go on with a crowd of non-combatants, men, women, and children, as close to them on both sides as if the whole affair were a theatrical representation of a sensational melodramatic kind, where a good deal of powder and blue lights would be burnt, but no bullets or lives would be spent. In streets in which fighting actually occurs no one of course shows except combatants, and these show as little as possible, lying down or sheltering behind extempore barricades and windows. The people indoors, as may be supposed, do not keep near them, as the bullets fired down the sides of the streets under cover of doorways or corner houses glance and ricochet about in the wildest way. Scarcely a window escapes if the fight lasts long, but adjoining streets running at right angles to the fighting ground are for the moment comparatively safe, and the people crowd about the doorways in these, the more venturesome getting close to street corners, and every now and then cautiously craning their necks round to see, if possible, whether shots tell.