The International Magazine, Volume 2, No. 2, January, 1851Various
History
The International Magazine, Volume 2, No. 2, January, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
When these sapient guardians of the peace perceive that as many have
been admitted as can possibly be squeezed into the building, they shut
the doors; and the process of distribution goes on until the mass is
equalized throughout the edifice; a task of no small difficulty, as the
portions of the building contiguous to the doors are always densely
packed at an early period, so that the greater number have to pass
through these crowded centres to gain the remoter parts of the church.
Meantime people chat, and look about them, amusing themselves as they
best can; and the sonorous edifice echoes with the footsteps of the
moving mass. But at length the noise subsides; the "organ utters its
voices," and a hush, intense, unbroken, falls on the vast assembly. The
glorious music peals through the vaulted aisles, and swells upward to
the arching roof, pervading every nook and corner of the fane; and so
perfect is the stillness that one would think the winged notes the only
living things within its precincts.
On Friday last this annual solemnity was celebrated as usual at St.
Eustache; the mass, composed by Adam, a very noble and beautiful
composition, was admirably executed by a choir of two hundred and fifty
singers, and a band of one hundred musicians, including the whole
orchestra of the _Opera Comique_, and the best performers from the
Italian opera. The solos were sung by Mesdames Grimm and Couraud, and by
Bassine and Chapuis, the latter being one of the best tenors in the
city. Some of the quartettes, with accompaniments of harps and wind
instruments, were indescribably beautiful.
The Archbishop of Paris made an elegant little address, in which he
spoke of art in Pagan and in Christian days, and of its mission in the
present; and winding up with an appeal to the liberality of his hearers
on behalf of the charitable idea which had prompted this performance.
The Archbishop is a man of mild and grave countenance, but his dress was
very inharmonious. He wore a surplice of very rich lace, a cape of
violet silk, and a scarf richly embroidered in gold, which was all very
pretty, but his arms and hands were encased in sleeves, finished with
gloves, of scarlet cloth, which showed through the lace sleeves of the
surplice, and gave the hands a very frightful appearance. He wore a
little round cap on the top of his head, a golden crucifix on his bosom,
and an enormous gold ring on his right hand. He spoke very slowly,
screaming rather than speaking, in order to make himself heard in the
distant parts of the building. The service lasted two hours, and yielded
several thousand francs.
Public-domain text, read in full here on John Shaqi.
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