The International Monthly, Volume 2, No. 4, March, 1851Various
History
The International Monthly, Volume 2, No. 4, March, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
We believe it is about six years since the Rev. WILLIAM W. LORD, then a
resident graduate at Princeton College, published the volume of poems by
which he was introduced to the literary world. That book had various and
striking merits, and though it had many defects in an artistic point of
view, upon the whole it illustrated a just apprehension of the poetic
principle, and such capacities for execution as justified the sanguine
hopes it occasioned among his friends of his future eminence in the
highest and finest of the arts. From that time until the present, Mr.
Lord has not appeared as an author; but the leisure that could be
withdrawn from professional study has been devoted to the composition of
"_Christ in Hades_," (Appleton & Co.) a poem displaying his best
abilities in art, while it is a suitable offering to religion.
* * * * *
"It was my purpose," he says, "in undertaking this work, to give poetic
form, design, and history to the descent of Christ into hell; a fact
that has for so many ages attracted the curiosity of the human mind, as
to furnish occasion for surprise that the attempt has not hitherto been
made. As regards the end for which He descended, I have adhered to the
Christian tradition that it was to free the souls of the ancient saints
confined in the temporal paradise of the Under-world, embracing also in
my design the less general opinion, that it was to demonstrate His
universal supremacy by appearing among the damned.
"A source of additional human interest was suggested by the relation
which men, as a distinct order of beings, might be supposed to sustain
to demons in the place of their common doom, and under new conditions of
existence; such, I conceived, as would make it possible in some degree
to realize even the divine fictions of the Greek mythology, under the
forms and with the attributes accorded them by ancient religions, and by
the poetry of all time. This could not fail to suggest the further
conception of introducing the divinities of our forefathers, and of
other great families of mankind, thus bringing together in action and
contrast the deified men, or various representatives of an heroic
humanity, among different races: nor did it seem too great a stretch of
imaginative probability to conceive that their general characteristics
might be adopted and imitated by beings already invested by the human
mind with an indefinite power, and inhabiting a world in which the
wonderful becomes the probable.
Public-domain text, read in full here on John Shaqi.
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