The International Monthly, Volume 4, No. 3, October, 1851Various
History
The International Monthly, Volume 4, No. 3, October, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
We have here another instance in which the thread-making idea has
manifested itself among the red race, and a very interesting one. The
spinner has a small stick, which she holds horizontally in one hand, and on
it winds the thread, as on a spindle, as fast as it is spun. The bunch of
cotton is itself twirled round by means of a short and small rod, passed
through the lower part, with its ends projecting. A pebble is commonly
fastened to the middle of this stick (_d_), and serves as a fly to keep up
the motion, and assist, by its weight, in drawing out the thread. To keep
the stone and stick in their places, a piece of yarn is wound loosely round
the bunch. The length of thread is seldom over six or eight inches, before
it is wound on the stick. In this singular process, the classical mode is
completely reversed--the spindle, or that which corresponds to it, is held
at rest, and the distaff put in motion, in which respect the operation is
unique. The idea of increasing the momentum of the whirling mass by the
introduction of a weight into its centre is here realized.
[Illustration: A Comanche Spinning.]
[Illustration: Navajoes Spinning.]
In the case illustrated below, two pieces of board or shingle are pinned to
opposite sides of the fork of a small tree or stump. A spindle (a smooth
rod ten or twelve inches in length) is passed through, and made to turn in
them, as in two journals. See the section S, where _a_, _a_ is the spindle
and _b_, _b_, the boards, and _c_ a pin to keep the spindle in its place.
To whirl the spindle, a cross stick, _d_, is tied to the large end.
Sometimes a stone is folded in a piece of cloth, and fastened to each end
of the cross stick, which answers the purpose of a rude flywheel. When a
suitable stick, having a branch at right angles, can be procured, the cross
stick and spindle are of one piece, as at S. A notch is made at the small
end of the spindle, where the thread unites to it, and thus, while one girl
turns the spindle, another, with a bunch of loose cotton, supplies it, and,
as the thread lengthens, gradually recedes from it. As soon as a full
length is twisted, it is wound round the spindle, another length is added,
and so on, till the spindle is fully charged. The thread is then wound off
into a hank, and the spindle set again for working.
These illustrations of primitive art possess a deeper and a more extensive
interest than that of their relation to a few Indian tribes; they are types
of thought, more or less common to the species, to barbarous and
semi-civilized people of all times; such as we ourselves would adopt, were
we thrown on our own resources, without any knowledge or recollection on
the subject.
[Illustration: Aztec Girl Weaving. From Mendoza's Collection.]
Public-domain text, read in full here on John Shaqi.
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